Knowing that her destiny was up, Du Li remained silent, and she still treated Rudy like a guest. She never stopped thinking of going to Tokyo to learn dance.
No one told Rudy, he didn't know anything, he commuted to get off work on time as usual, his life was tepid, and he had no ardent dreams in his heart. After all, he doesn't know his wife, nor his children.
Reminds me of "Love Story" where Jenny said to Olivier "love means never having to say that you're sorry". When Olivier learned that Jenny was not going to live long, the doctor told him to go home and think about her normal life, and then spend the rest of her days fulfilling her unfulfilled wishes.
Du Li's wish is to go to Tokyo to learn dance, and to visit her youngest son, little Carl. In order to get rid of her dependence, he went to the place she yearns for most. Until Carl ate the cabbage rolls made by Rudy, he finally burst into tears. He knew that it was useless to talk, it was too late, and he didn't miss any weight, but he still broke his heart bit by bit.
Carlo's girlfriend accompanies Du Li to see the Japanese dance, the bright red and oppressive black on the stage, as well as the pale paint on the dancer's body, this strong collision makes Du Li unable to control herself, she knows that when all hope is When it all turned into despair, she could only choose to leave quietly and alone. It's really that some love is too deep, so it's hard to tell.
In the small room of her son's house, Du Li took Rudy's hand and wanted to dance with him. She was wearing a dark pink kimono, moving her old and clumsy body, slowly approaching him, and kissing his lips lightly. At this time, she and him are one, she is in him, she is the wind, invisible and silent, passing through his fingers, through his skin, and entering his body.
The simplest love, the simplest expression, was told to him by a Japanese girl who had never met before. He watched her dancing with the shadows in the park where the cherry blossoms were falling, talking to his mother over a telephone line, and he missed Du Li. She once objected to her learning buta, but now she finally realizes that she is doing something wrong.
Rudy wants to fulfill Du Li's wish to see Mount Fuji. He invited Yu to go with him. After waiting at the foot of the mountain for several days, finally one day, Rudy's body twitched at dawn. He opened the door and saw the distant Mount Fuji finally close in front of him, not blocked by the clouds.
He painted himself pale paint, put on Du Li's kimono, walked to the lake, raised his arms and danced gracefully. He deeply felt that Du Li was in his arms, the wind was surrounded by him, and then grasped tightly, Du Li became a part of his body. His death was as peaceful as Du Li. The last thing they saw before they died was the same Du Li, wearing Buta's clothes, with heavy make-up and devotion to herself.
Maybe I shouldn't be moved, but I saw a bitter scene at the end of the film. Yu and Carl put Rudy's ashes into the urn with chopsticks. It was exactly the same as what I saw with my own eyes. Every movement, every detail, every frame was the same.
Once, she was exhausted and told me that it is true that after death, there is nothing left in this world. I want to refute her, so what about the soul. But how can you capture the weight of 21 grams?
I am reminded of a word Proust said, looking for a time that seems lost, but is still there, ready to be reborn.
Do I have the guts to follow my lover after he dies?
But the road is long, only true love is the most eternal beauty. For such beauty, thousands of rivers and mountains, will pursue it regardless of one's life.
Only death can be compared with love. And for the rest, I haven't seen through the negatives of the soul, and my eyes are full of tears.
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