everyone in the film is lonely, living and dying in their own way;
they are: parents, husband and wife, children, and confidants who meet occasionally;
they are also: township civil servants, housewives , small clerks in big cities, free people,
these people live in the same world at the same time, but have completely different lives, their relationship with close relatives or just chance encounters, in their eyes, they see each other how other people live in loneliness. In this world:
the noisy city makes young people lonely and busy and numb, and they feel ashamed and blame their parents, the
father is heartbroken that the son's living environment is so cramped, and it is thousands of miles away from the imagination;
after learning that her husband is terminally ill, The wife passed away in despair and forbearance, as if she had chosen to detach herself in advance in the extreme panic of loneliness; the white-
haired person sent the white-haired person, and the widow came back to his wife's ideal home after awakening; the
children sighed, but they were swayed by life. Favor.
Many of the episodes are heart-wrenching and tearful, making the ending of the father's life stark and abrupt in the finale.
This is a secular but romantic movie, a movie that is missed, a ruthless but affectionate movie, just like the cherry blossoms falling, cold, elegant, emotional and embracing the beloved.
Death is the beginning of soul communication and eternal death.
View more about Kirschblüten - Hanami reviews
