This kind of companionship is also good

Fay 2022-10-15 20:23:51

This time Zhang Yimou finally told a story calmly. Not intense, not intense, not intense.
Although this story can find shadows in many other stories, although the original of this story is not so bland (even far from it).

But at least, you will feel this way - it is not deliberately tearing (my tears are extremely low, even if 10,000 unwilling but deliberately tear-jerking films will cry, but this time it is just tears), there is no great sadness Overjoyed, no petty tunes. It's even a little trivial.
But just these trivialities, you can feel that the presentation of Chen Daoming and Gong Li is no longer for acting, they themselves are Lu Yanshi and Feng Wanyu.
And the ending is also very nice. Because when it comes to the end, you will unconsciously look forward to and wonder if this story will be put on a stereotyped ending. The one that came out was neither a tragedy nor a comedy. I think it's a very great presentation of love, especially in China.

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Extended Reading
  • Jaclyn 2022-01-24 17:48:34

    The years are quiet and never return; when they come back, there is no more waste, love stays, only chants.

  • Garrick 2022-01-24 17:48:34

    The door has been left, and what is locked is the memory. It is not so much selective amnesia, as it is the traumatic sequelae of the Cultural Revolution, to reflect on the big era with the forbearance of small people. The love that keeps waiting and staying home is great love. At the end, the fixed frame separated by the iron fence is meaningful. Although it is a set of TV drama filming methods that can't be more ordinary, it reveals the peace of mind of Lao Mouzi. This kind of film should be shot on film, the pursuit of high-definition is the opposite of it-because it is more like a TV series