come home

The theater was very empty, and there were not as many people as expected. It seemed that everyone thought this kind of bland "love" story was boring. It is easy to understand that from 1957 to 1977, 20 years, coincidentally, it has been 20 years since he was "alive", Zhang Yimou returned, and continued in the background that seemed to have become his heart's knot (anti-rightist). , Cultural Revolution), narrating a bitter family story, but this time, if the historical background is stripped away, it becomes the obsession of "my father and mother" and the watch of "loyal dog Hachiko". The style of love has been immersed in the present for many years, and it is bland and uninteresting. It can be seen that after the super life, Laomouzi is obedient and smart. This is a movie about memory and forgetting. The pain experienced by Chinese people in the past two decades has made many people like Wanyu forget it. Maybe many people like her are organic, because the pain is too painful and the trauma is split. memory nerves. But more people who have experienced it have suffered from Alzheimer's, and time has passed, and so far, only a weak and gossamer-like dejavu is left, and they will never mention it to their children born in the 1980s and 1990s. Lin Zhao said: "Whenever I think of the tragic year of 1957, my heart cramps involuntarily. Really, even hearing or mentioning that year makes me feel like a conditioned reflex. I feel severe pain. This is a bleak and tragic year that is stained with the blood and tears of Chinese intellectuals and young people. If the Chinese intellectuals who were under the political explosion before this were still more or less righteous, then here After that, it was indeed almost destroyed." That year, more than half a million people, like Lu Yanshi, were labeled as rightists, and they experienced the most terrifying and bloody places in hell, and some of them even more Experienced a "death" that is thousands of times more painful than death itself - the eternal separation of living. The tyranny destroyed the family, tore the blood, destroyed the human relations, and raped the wife and daughter (the play implies that Wan Yu was sexually assaulted by Fang). Professor Qian Liqun shouted in one of his books that he refused to forget 1957. The memoirs in it are all victims of history. The time of recollection is fifty years later. And this itself is full of the vicissitudes of history. Only by remembering can we turn suffering into spiritual resources and truly "learn history as a mirror". This is the unshirkable responsibility of all historical survivors, and it is also the responsibility of all scholars with academic conscience. Of course, maybe this wasn't Lao Mozi's original intention, but thank you for touching the forbidden area of ​​history once again, allowing some people to retrieve those years from the screen.

View more about Coming Home reviews