A professor, a professor with ideas and methods, a professor who survived the Cultural Revolution (it shows how wise), when he returned home, he tried every means to remind his wife who loved him but had lost her memory.
What an interesting story! What would it be like to change to the French? How would the Italians shoot? I believe the theater should be filled with laughter and tears. Why do you want to cry so hard?
Tear jerking is also true. The relationship between husband and wife and father and daughter in the story are touching. But it's better to laugh with tears than just to cry. Laughter is actually an attitude, you can laugh without laughing, isn't that a "pretend"? Yan Shi used the letter to successfully let her daughter go home, didn't they laugh happily?
The piano scene was very good. But why did Wan Yu not recognize Yan Shi after letting them hug? The plot points and pacing are very strange. The analysis is as follows: Originally, she only thought that Yan Shi was playing the piano, but Wan Yu was emotional. This foreshadowing is very good, but also very tear-jerking, the audience paid for it. Then, when Yan Shi turned around, Wan Yu was taken aback! curse! Don't touch her lover's violin! There will be a burst of laughter. Yan Shi immediately flashes people, and then looks for it again... Or, if you don't play so much, just recognize each other directly, and the audience will cry to the death. Wait until the next day, and then forget, Yan Shi can only start over! Play the piano again! Such a plot design is very interesting. But in such a plot, the audience's emotions have not been fully released, that is, they haven't cried enough yet, and Wan Yu pushed Yan Shi away at this moment, interrupting the audience's emotions. This is obviously the tears that the two met in the climax scene...
At the end, the story doesn't want the two to know each other at all. The two stood in the snow, staring blankly. So, what is this story about? Are they romantic standing like this? Or deliberately to be sad? In Wan Yu's world, this is cruel, because we know that Yan Shi will never come down from the overpass, and there is no hope. hope! What an important word. I would rather see Yan Shi walking down the overpass, returning again and again, passing by again and again, even if Wan Yu doesn't know each other this time, it doesn't matter... Such an open ending has hope, love, and company...
This reminds me of Professor Su Bo's "Attitude" in "The Magic of Film " (P71):
Attitude is one of the most important elements in making a film. British writer Horace walpole once said: "People who are accustomed to using their brains, life is a comedy; people who are used to emotional things, life is a tragedy." The biggest difference between the two is attitude. In the aviation world, attitude represents your relative relationship with the ground; in psychology, attitude represents your self-positioning—how you deal with yourself in your interactions and life with others.
This story could have been interesting and touching, but it lacks an optimistic attitude and treats the story narrowly and sadly. If it loses the fun, it will lose weight.
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