Master, be careful

Dane 2022-04-19 09:02:52

The films of the masters often have obscure plots, deep thoughts, and clever blank spaces. But Master Zhang left too much blank this time, and became a master of scratching the white.
Big time, small story. The world is big, you can say. A story closely related to that era, deliberately downplaying those fierce conflicts and contradictions, and narrating the sequelae of contradictions. Even the conflict between mother and daughter is not directly manifested. Well, since it's a love story, I'll leave it blank for the audience to make up their own minds. However, the foundation of the two people's love has no hints, no clues to make up for it! By the way, music is the love of the hawthorn tree. It seems likely that Zhou Dongyu became Gong Li when he grew up, and he didn't grow crooked.
Another feature of the masters is that the characters are not face-to-face, and often the bad guys also have a good side. There is no absolute good person or bad person. Since Master Zhang avoided the direct description of contradictions this time, and even Mr. Fang, who has the potential to become the villain, is a very side manifestation, then his daughter has no tension. It is true that the characters are not distinct, but art is still a little more expressive than life. Even Gong Li's illness is very vague. He selectively forgets people and things, and always remembers that tomorrow is the 5th. The illness seems unreal, so even if Gong Li's acting skills are high, it is difficult to establish this character. There are so many big-name dragon sets, and Zhang Jiayi, the treasurer of Stone Dad Peiqi Tong, is not outstanding. This is obviously because the master doesn't let them be too abrupt. This film is flat, smoothing everyone's edges and corners, and hiding all sharpness. Only the tears arranged by the master will make you cry, and the countdown to 321 will make the audience cry together.
After watching it, I just feel that this movie is warm, light, shallow. It seems that the master does not want to see the big from the small, nor does he want you to think deeply. The master just tells a story, let you listen to it after you finish it. Tears flow out of the eyes but not stay in the heart, just like eating a fast food, there is no need to study and no need to worship. Is this a master or a Zen master?

View more about Coming Home reviews