I have to admit that the current level of Korean TV and film has surpassed that of Chinese TV and film. Of course, it does not mean that China cannot make good film and television works. The key is the limitation of the plot, the expansion, and the diversity of themes. Whether it is science fiction, suspense, or police and bandit themes, when Chinese movies are still mainly about robbing banks and countering terrorism, Korean movies have risen to the discussion between national glory and human nature, whether it is the Korean film defender or this suspect, It is no longer a simple distinction between justice and evil. Beneath the surface of national honor, there is a dark side of selfishness and greed, and the protagonist is also full of struggle and wandering. You can see the character changes in one movie. The characters are no longer single, and the things they tell are no longer superficial.
The North-South split of the Korean peninsula has brought a lot of themes to the Korean film and television industry, and the openness of South Korean management has allowed these themes to be brought into full play, and a spark of humanity has collided in this fierce contradiction. What we see is not a simple scene between guns and fights, but more of a transition from blood and blood to understand the difficulty of living in peace.
The rhythm of the film is tight, there is basically no chance to breathe, and the fighting scenes are wonderful. Although it is impossible to get into its rationality, the shadow of Hollywood is very obvious.
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