The French version of the truth is somewhat regrettable, because it is all in French. According to the characters and mouth shape, Julia Binoche and the Ethan Hawke family should speak English, Catherine Deneuve and Ethan Hawke and her granddaughter speak English, the old assistant and Julia Bino Even speak English. It would be nice to see the relationship between these groups of English-speaking characters. The son-in-law Ethan Hawke has obviously been treated as an outsider by this family, and the granddaughter said at the end that learning French with her grandmother is a sign of reconciliation for the whole family. Daughter Binoche has been expelled, so she speaks English. It's just that this elaborate design is shooting an oriental family relationship in a French studio. Especially for Japanese movies where everything can be done indoors, it doesn't matter where the studio is, what matters is whether you can set up two rooms and one living room for me. The strict exterior scene in the truth is only one scene where everyone comes out of the restaurant dancing in the square and the daughter's family walks after dinner. Other scenes are never more than 10 meters away from the interior, including the Paris street scene, which is displayed through the car window. If you really want to compete, you can invite all the actors to Japan, and you can set up the same studio to shoot in Japan. The biggest difference between Japanese films and Chinese and Korean films is that the relationship between the characters is delicate, which is simply stripping the cocoon and driving events through the relationship between the characters. Chinese and Korean films, on the other hand, promote the relationship between characters through events. Therefore, Japanese movies like to put people in closed spaces, and don't let them out of the small dark room when things are unclear. Chinese and Korean movies, on the other hand, put people on the set, and people don't understand how to kill you with external things. So the truth is still a Japanese movie, just as reason and emotion are the American version of eating men and women. Eastern directors' thinking cannot be changed by one or two movies. Of course, it doesn't look good if you change it. There are so many directors in Hollywood, and you are not missing one.
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