I admire the director's storytelling skills, vivid and vivid depiction of details, and very delicate outlines in the structure of the big story, creating flesh-and-blood martial arts characters. I really like the expression of Buddhism in the director's play. The portraits are backlit, golden blood, and the master is willing to sacrifice himself to save all beings. I have a lot of feelings. The deepest impression is the opening scene of the male protagonist's search for the old house in the middle of the night. During the post-screening communication, I learned that all the martial arts scenes did not hang Weiya, but only used spring beds. Although the effect was a bit exaggerated and embarrassing, I really admired the hard work of these film and television seniors for a work.
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