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Xzavier 2022-10-19 21:08:32

After buying the ticket, I was worried, how should I understand a French movie ? Worry dissipated when I saw the cast. The director is Japanese, and there are Americans among the actors. It is destined that this film does not need to pay too much attention to the lines (of course, it is better to understand the French stalk), the film will guide you to pay attention Interaction between actors in the language.

Before understanding the structure of film, let's introduce a concept (fabricated, don't take it seriously) that people live in isolated spaces. Actors create space in front of the camera that is independent of the real world, and they themselves may be lost in space in reality.

Under this premise, the heroine (Catherine Deneuve) in the play has created countless wonderful spaces (movie works) and plays a role in these spaces. For example, one of them is a witch, and the character she showed when facing her granddaughter should be a witch, and the effect is very good.

Going back to the movie, the main conflict comes from the heroine's incompatibility when switching between virtual and real spaces.

As an actor, in the face of limited energy allocation, she did not hesitate to allocate it to the virtual space of the current movie. Therefore, we see her conceited, vicious, and childish side, which may be the role of this space. In the real space, facing the daughter's family, there is basically no energy left to act as a qualified mother. The daughter was caught in the middle, and her anger finally exploded when she read the autobiography. In other words, maybe in those virtual spaces of actors, the autobiographical content is basically true?

The viewing experience is very comfortable, and conflicts and contradictions are actually resolved with the seemingly bland progress. What makes me even more excited is to see the heroine escape from the self imprisoned in the body; it is the destined loneliness (and a wonderful one); it is the liberation of her spiritual level, and the freshness shown to us when the demonstration space is transformed feel.

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Extended Reading

The Truth quotes

  • Fabienne Dangeville: She says she was meant to be an actress. It must be hard living in my shadow. She's persuaded that she managed to escape me.

    Luc Garbois: Did Lamir write that too?

    Fabienne Dangeville: No, that's me. I don't think she's aware that she left to escape me.

  • Fabienne Dangeville: Did you do it often yesterday?

    Lumir: What?

    Fabienne Dangeville: Two times? Three times? No, you're too old for that.

    Lumir: What's got into you?

    Fabienne Dangeville: Is he a good lover?

    Lumir: Let's just say, he's a better lover than actor.

    Fabienne Dangeville: Jacques a better cook than lover.