Liaozhai Zhiyi's "Chivalrous Girl" has a short story. The image of the chivalrous woman is sassy and clear. After taking over three generations, there is no trace. The movie "Chivalrous Girl" Hu Jinquan added complexity, and set it into the Ming history that he was more familiar with, and gave the place for the chivalrous woman - to escape into the empty door - with an explanation, to survive the death penalty against the background of the king and soil in the world (Although you didn't do anything, just because you are within the Nine Clan), you can only hide for a period of time, and retreat to the point where there is no way to retreat. In order to save her life, the chivalrous woman in the movie lives in seclusion in the abandoned house, and finally converts to Buddhism under the protection of the loyal and good monks and insightful people. Can you defend yourself? The stoic existence after Zhongliang? Free sex view? Going back to the original story of Liaozhai, what is left of the heroic spirit of the hero who never cherishes his body, but who does not cherish his body in the end in the movie heroine? The protection of Shi Wenqiao and others, and the teaching of Master Hui Yuan, are full of masculine colors. Even a useless scholar showed his skills in this cruel political conspiracy against the encirclement and suppression, and tried his best to protect him. coercion, or the coercion of male power? A chivalrous girl is not a chivalrous person, and even the orphans have changed their tastes. How can Gu Xingzhai be moral? Gu Xingzhai Yu Fan Lunjin devised a strategy to resemble Kong Ming sitting on the empty city. It happened later. When he was playing with his skills and getting carried away, he couldn't help but think of the ending of "Seven Samurai". The few people who survived were saddened by the graves of their comrades. In the back, when he saw the real dead people, Chen Heng was everywhere, and he was so frightened that he was not so shameful. It can be seen that the director is more able to tell the story of men. Knowledge-led and efficient offensive and defensive measures, no matter how ingenious or even justice, override human life, just like Sakharov, a scientist during the Cold War, repeatedly explored the lethality of hydrogen bombs to human beings, resulting in the Soviet Union producing a large number of hydrogen bombs, accumulating After many years of global security risks, the general trend of peace became clear. Sakharov stood up to oppose the Soviet hydrogen bomb and won the 1975 Nobel Peace Prize. He actually went to accept the award! off topic. Victory by exploiting the fears in people's hearts cannot support drama, on the contrary, people are powerful enough to suffer defeat because of fears in their hearts. This is related to some things that we can't overcome, time, fate, desire, kingship..., the perspective is different. Off topic. If the movie ends here, it will be a kitsch comedy, lacking seriousness and integrity, with corpses all over the place, monks coming forward to clean up the mess, and Gu Xingzhai's sweetheart not knowing what to do, pulling the curtain on the third paragraph of the story, the first Duan Zhong twice foreshadowed that Ouyang Nian was afraid of monks in the East Factory, but he moved directly to the original Liaozhai. Ouyang Nian is the setting of the fox demon. Here we borrow the origins of the two emperors of the Ming Dynasty, Zhu Yuanzhang and Zhu Di, and monks. , leading to a technical and Aesthetically, the forest war, chaos, night, and day are enough to form a three-stage structure of the story. The chivalrous girl is the introduction, the child in the basket in the Dragon Inn can protect herself to a certain extent when she grows up, but she is still under the protection of a group of monks and lay men, and finally retreats to a genderless situation. It's the opening subtitle: The digital restoration of this film in 2014 was sponsored by Ms. Xu Feng, chivalrous! ?
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