I like the latter a lot more than Life and Flow, but it's just a matter of taste. There is a thriving power in "Life and Flow", which releases the hope covered by Pandora's Box. And "Biyuntian in May" is a mixture of reality, memory and scenery, sensitive, accurate, and a little narcissistic. The director does not intend to beautify life, but is obsessed with the beauty of life. When the wrinkled face of my mother appeared on the screen, I thought of a sentence from "The Lover": "I love your devastated face more than your face then."
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