Bordwell's Commentary on "The Heroine"

Paolo 2022-04-19 09:02:44

In the first episode of Hu Jinquan's "Chivalrous Girl", the chivalrous man and the chivalrous woman confronted the masters of Dongchang in the bamboo forest in the climax scene. It was no ordinary fight scene. They were twenty feet off the ground, tumbling and spinning in mid-air, occasionally coming face to face. The chivalrous woman jumped, like a spider interspersed between the bamboo forests, waiting for an opportunity to dive and kill the prey by surprise. In addition to the trapeze-like stunts, the filming and editing of this martial arts scene dared to use opaque techniques. Although the composition of each picture was carefully designed, the footage became fleeting after editing. The master's excellent martial arts I can only get a glimpse of it. The calculation of its infectious power is accurate. I believe that Eisenstein and Akira Kurosawa will also admire it.

Intellectuals tend to single out the lack of dialogue in popular films to justify their vacuousness, but they therefore ignore the content of the images. The boudoir dodging scene in "Knife Horse" and the trapeze-like scene in "Chivalrous Girl" are not of great significance. But the fun of watching many movies actually comes mainly from the pictures.

Makers of entertainment films use their imaginations within clear specifications, a process the Chinese call "carving." The pursuit of creativity at all costs can turn out to be a mess, but silent refinement of traditional techniques not only enriches the art form, but also sharpens the sensibility of the audience. What's more, the directors of popular films will also innovate: Hu Jinquan's editing method in "Chivalrous Girl" ignores the general requirements of camera connection and reshapes the tradition he inherited. Create your own crafting problems and solve them in a creative and sophisticated way that is absolutely understandable. This approach of popular movies and the unusual experiments of avant-garde movies can be said to have their own advantages and disadvantages.

Excerpted from " Secrets of Hong Kong Cinema "

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Extended Reading
  • Mitchell 2022-03-16 09:01:07

    The atmosphere at the beginning is well rendered, the camera feel is very strong, the fight is not deliberate, the look is comfortable, the suspense is layered, but it is a little too careless of the rhythm, which makes the viewer feel uncomfortable and naturally can't stand it. I went to see the title of the Cannes award-winning film, and xixi fell asleep after half a movie~~ Haha

  • Josiane 2022-03-17 09:01:08

    It is similar to the mysterious atmosphere of the ghost of a Chinese girl. The characters appear only five or six minutes after the scene is edited in the empty mirror. The expression of the scene is far more than the dialogue. The girl is usually in white shorts, and the change is the same as Xiaoqian. His black long dress, the same sitting and playing the piano, the same lotus in the pond. As a costume action movie, the first fight does not appear until 60 minutes later. Many groups of characters try each other out, confucianism, soldiers, doctors, divination, monks, and chivalrous women. The martial arts movements are more realistic, with powerful movements and solid steps. The sound effects enhance the chopping sound of swords, the crispness of weapon collisions, and the harshness of friction. The climax of the bamboo forest and the night battle are all classics. The end here is enough to confine the gods. Taking it out alone in the last forty minutes is also a good show. From martial arts to the realm of Buddhism metaphysics, but even after the night battle, the protagonist deviates from the good and evil protagonists, and still feels that the sense of continuity of the whole film is slightly broken.

A Touch of Zen quotes

  • Ku Shen Chai: Have you seen Miss Yang, the lady who lives here?

    General Shih Wen-chiao: No, I'm blind.

    Ku Shen Chai: Forgive me.

    General Shih Wen-chiao: Miss Yang and her mother are gone.

    Ku Shen Chai: She said you should run for your life too. Do you know where she went?

    General Shih Wen-chiao: No.

    Ku Shen Chai: I have to find her!

    [Shih pulls out a sword as two soldiers fly down from the sky and attack, but are quickly killed in a few brief strokes of the sword]

    Ku Shen Chai: Mr. Shih, Mr. Shih, who are you really?

    General Shih Wen-chiao: I'm not blind, that's for sure.