I forgot to check the movie information before watching it. The advantage of watching it at the beginning is that I don't know the plot at all. The disadvantage is that I kept guessing whether the director was Takashi Miike until the red paint bucket appeared.
All in all, the senses are very exciting. This wave of young actors back then really had aura. Hideaki Ito is really a formidable actor. He can play the stupid Xiaoming well and control this kind of perversion. I can say his part. After being teased by a student, I had a face that turned against Su. At that time, I was still naively thinking that this might be another campus manga change and pure love - that's weird!
Takashi Miike probably has an inexplicable magical power that makes all those who have watched his movies not think about the plot and themes, and get the purest sensory stimulation on top of jumping out of everything, but if you look deeper, you will find that the plot The foreshadowing has been made unknowingly for a long time, and each plot has played its role, and the darkness is finally bright in the end.
To put it simply, this kind of movie is likely to be made by other directors, and people will feel that watching it is a waste of time, but in the hands of Miike Takashi, you will feel, ah, I'm cool, you can do whatever you want!
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