Let’s start with killing one or two people at a slow pace, interspersed with Lianmi’s isolated life and experience in the United States, living in a dilapidated house, and electrocuting the crow in the morning. The person is covered in blood and carries a red bucket, the partner tastes eyeballs or something, and Lianumi puts the partner upside down in the bucket and sets it on fire... This part is a bit fantastical, fast-paced, and it jumps out of the Japanese genre and is too realistic. It is too blunt to express the evil of human nature and it is boring and lacks imagination and freshness. The appearance of foreign elements also makes the movie pervert feel less "small" Japan, and it does not feel as if only people from their country can do this ... a lot All Japanese movies give me this feeling.
Just when you're tired of tepid death, the killing spree of Day of Revel begins, with weapons upgraded to shotguns, jazz accompaniment, roars and gunshots in the background. The contradictions and emotions between the characters also erupted in a concentrated manner. There are mistrust, selfishness and complaints, the persistence of love, sadness and remorse, and the courage and wisdom to fight to the death... In
movies, there must always be someone alive, all dead. Without the plot, there will be less ups and downs, and the audience will not be able to bear it. In the end there were two survivors who escaped death. There are only two people, the movie gives you life, but does not give you hope and future.
In terms of genre, it's a good movie.
Is there anything wrong? What I have to say is that there are still some old Japanese routines, and I am interested in Lian Shi's childhood but did not touch it. In what era, the criminal investigation methods are too backward, right?
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