write a few words

Greyson 2022-04-20 09:02:25

The way of flashbacks has a vague and sad feeling that the old days were not beautiful and full of suffering. The indiscernible bits and pieces of the music outline the young and handsome faces. The bagpipes blew sadly, and the melody of the piano spread out like water marks. The James in the memory is like in the painting, but the passion can never be found again. Time is a wonderful thing, and the listener of the story can never intervene. He is already an old man in a wheelchair, and history will be sealed forever. There is no revelation, it just goes on and on. The sad thing is that people are chasing it, and the boys' songs have been sung for a long time in another world.
Betrayal, hate. But he didn't forget that he told James that he was going to travel around Europe on a bicycle, and by accident he went to the Soviet Union with judd's dream.
Jud is the kind of person I like very much, the leftist romance, the pursuit of the essence of innocence. Uncle Colin really wanted to take a bite when he was young. Guy fell to the ground imagining the person he loved, Judd persistently pursuing his dream under the lamp, I would like to be James by Guy's side.

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Extended Reading
  • Yessenia 2022-03-20 09:02:47

    I only watched the film until today. Now I think about it like the prequel of the pot maker, or the follow-up of the pot maker, who is a memorial to the passing years of lush greenery, but I still can’t help but want to shout out loud: supplyism does not let the foundation! Supplyism cannot save engine oil! After a few more years, we will be a veritable country of great corruption, hey. . . . . .

Another Country quotes

  • Fowler: Are you trying to be clever or something?

    Tommy Judd: I don't have to try, I am clever.

  • Tommy Judd: You know... What I really hate about cricket, is that it is such a damned good game.

    Guy Bennett: Ah! Judd's Paradox. Of course, cricket is a fundamental part of the capitalist conspiracy.

    Tommy Judd: Of course.

    Guy Bennett: One only has to observe the two of them seen. There's the Proletariat forced to labour in the field, while the Bourgeoisie indulges in the pleasures of batting and bowling.

    Tommy Judd: Quite.

    Guy Bennett: I mean, there's every reason to suppose

    [pause]

    Guy Bennett: ... that the game ultimately derives from the wholly unjustified right of the medieval lord to the unpaid labour of villains and serfs at haymaking and harvest.

    Tommy Judd: You know, you're really beginning to get the idea.

    Guy Bennett: Thanks.