The old-fashioned work that blurs the director's true nature

Donavon 2022-01-03 08:01:40

At this time last year, Martin Scorsese's "The Irishman" became a hot topic of discussion, and eventually won more than 10 Oscar nominations, which was a glorious moment, even though it lost to "Parasite." However, this year's Netflix trump card is not as good as last year. Obviously, David Fincher and Martin Scorsese are not the directors favored by Oscars. Judging from their Oscar awards, their works are more popular. Liked by film critics. If last year's "The Irishman" maintained the old director's technical attempts to innovate and change, then this year's "Mank" is an old-fashioned work that obscures the director's true nature.

The film tells the birth process of the classic film history "Citizen Kane" . With the eyes of the legendary screenwriter Herman Mankiewicz, it shows the life of the 1930s and 1940s. It also shows the Hollywood stars and the studio system. Some irony and criticism. First of all, this script written by Vinci's father is quite old-school, like the one-shot characterization of the classic Hollywood era. Unexpectedly, Vinci chose to shoot in the same old fashioned way, which inevitably made people yawn again and again. Without the dazzling audio-visual style of Vinci in the past, only the boring sound of the typewriter creates the anxiety of creation, and the neat and boring flashback design disturbs the narrative time and space, which is far inferior to the aesthetic charm of Vinci's peak period. The more it looks like a licensed craftsman .

Except for this script that is not suitable for Finch's style , the actor Gary Oldman's interpretation does not have many surprises at all. It is all the way he used to perform characters in the past, which is not seen in this cynical character. The breakthrough is particularly obvious from his record in the awards season this year. The most fascinating thing is that I try to imitate the aesthetic style of Hollywood's golden age , and the art, lighting, and set design restore a dreamy color. Choosing to use black and white images to present the look of Los Angeles during the Great Depression is an effective and refined method. The plot of the governor election in the play coincides with the situation in the US presidential election this year. The struggle between the two parties, democracy and the Republic, and the rise of candidates and voters can inevitably smell the reality of the moment. The portrayal of the idealistic side of the protagonist is more representative of the consistent positions and views of Hollywood's left-wing elites. In this era of unprecedented political divergence, it is unavoidable to make people feel embarrassed.

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Extended Reading
  • Layla 2022-03-27 09:01:12

    Indulge in the David Fincher cut...the lines are amazing.

  • Pearlie 2022-04-21 09:02:46

    50/100, the trivial incidents of shady splicing failed to restore Mankiewicz, not like "Citizen Kane" has a strong drive, nor like "The Social Network" to compose a suite of the times, but from the film itself to the content, it fully satirizes Hollywood. industrial system. Does David Fincher, who has never experienced it, love that era? As if he just loves his father. Efforts to do old is not a grand reminiscence, otherwise why would you use a 2.2:1 format? It's just a more personal paranoia, but also because he finally has this precious freedom, so that he can play a little (unambitious) wild.

Mank quotes

  • [a drunken Herman Mankiewicz sits at the corner of a large dinner table at an elaborate costume party, hosted by William Randolph Hearst and Louis B. Mayer. Instead of tinking on a glass to get the guests' attention, he slashes his glass with a knife. Gasps fill the room as he rises from his seat]

    Herman Mankiewicz: I've got a great idea for a picture, Louis. A picture I just know you're gonna love. It's a modern day version of Quixote!

    [Mank realizes his voice echoes through the room, but he continues, circling the table full of silent guests]

    Herman Mankiewicz: Now I know none of you read, but you know what it's about. A deluded old nobleman, who tilts at windmills. So how might we update this story?

    Butler: [whispers to Hearst] Do you want me to get someone?

    William Randolph Hearst: No.

    Herman Mankiewicz: How about we make our Quixote... a newspaperman? Who else could make a living tilting at windmills? But that's not enough... no, he wants more than readership. He wants more than adulation, he wants love. So, he runs for public office, and because he's notably rich, he wins... no, w-w-w-wait a minute. Notably rich and powerful, can't win over an audience unless notably rich and powerful sees the error of his ways in the final reel. Notably rich and powerful and making no goddamn excuses for it is only admirable in real life. Isn't that right, Louis?

    [Mayer glares at Mank as he drunkenly attempts to light his cigarette with the massive fireplace at the end of the room, unsuccessfully. Marion Davies takes a swig of her drink]

    Herman Mankiewicz: So what do we do? Anybody? We give him ideals! Ideals that any dirt-poor, depression-weary audience can identify with. Our Quixote is against crooked trusts, he's for the eight-hour workday, fair income tax, better schools. Why, he's even for government ownership of railroads. And you know what we call those people?

    Male Guest: Communists!

    Female Guest: Anarchists!

    Herman Mankiewicz: No, our Quixote, he's a two-fisted muckraker. In fact, someone predicts that he will one day win the presidency and bring about, get this...

    [laughing uncontrollably]

    Herman Mankiewicz: ... a socialist revolution!

    Louis B. Mayer: What a bunch of bullshit.

    Herman Mankiewicz: Is it? Tell him, Willie. Tell him.

    [Silence]

    Herman Mankiewicz: Upton Sinclair used exactly those words to describe a young William Randolph Hearst.

    Louis B. Mayer: [leaping from his seat] You miserable bastard!

    Herman Mankiewicz: [bowing] How do you do?

    [Some guests begin to leave the room, but Hearst's and Mayer's eyes stay on Mank]

    Herman Mankiewicz: Our Quixote, he hungers, he thirsts, he lusts for the voters to love him, love him enough to make him president, but they won't. And they don't. How do you suppose that could happen? Could it be because, in their hearts, they know he values power over people?

    [More guests leave as Mank approaches Hearst, still seated]

    Herman Mankiewicz: Disillusioned in Congress, he authors not one single piece of legislation in two terms. Can you believe that? That'll take some writing. Placed in nomination for president... it's too radical for the boys in the back, his bid goes nowhere! But we're doing something. We're building sympathy!

    [Even more guests leave]

    Herman Mankiewicz: Rejected, he flees to lotus land, where his faithful troll, Sancho, has prepared a mythical kingdom for...

    [Mank eyes Davies, stopping himself totally]

    Herman Mankiewicz: Wait a minute. I forgot the love interest! Her name: Dulcinea.

    [Every remaining head in the room turns to Davies]

    Herman Mankiewicz: Funny, adventurous, smarter than she acts. Ah, she's a... she's a showgirl! Beneath his social stratum, but that's okay because true love on the big screens, we all know is blind. And she... well, she loves him, too. So he takes her away to his m-mythical kingdom,

    [to butler]

    Herman Mankiewicz: can I get a bicarb?

    [back to the guests]

    Herman Mankiewicz: Now, along comes nemesis, that's Greek for any guy in a black hat, nemesis runs for governor, and he's a shoo-in to win. Why?

    [points to Hearst]

    Herman Mankiewicz: Because he's EXACTLY what our Don used to be! An idealist, ya get it? And not only that, nemesis is the same guy who once predicted that our Quixote would one day preside over a socialist revolution. Our Quixote looks into the mirror of his youth and decides to break this glass, a maddening reminder of who he once was. Assisted by his faithful Sancho

    [pointing to Mayer]

    Herman Mankiewicz: and armed w-with all the black magic at his command, he does just this. Destroying, in the process, not one man... but two.

    [Hearst is clearly furious, but maintains his composure]

    Herman Mankiewicz: Well, what do ya think, Louis? Hm? Do ya think it'll play?

    [Mank finally belches onto the floor. Any guest who hasn't already left does so]

    Herman Mankiewicz: Don't worry, folks. The white wine came up with the fish!

  • Herman Mankiewicz: Irving, you are a literate man. You know the difference between communism and socialism. In socialism, everyone shares the wealth. In communism, everyone shares the poverty.