1. The pony sat in the back seat of the car with his shoulders against Xinzhi's back, looking at the sky with a blank expression, maybe the classroom, and suddenly smiled: In the end, nothing changed. Xinzhi nodded and replied: Yes.
Actually everything has changed. It just doesn't appear to have changed on the outside.
Suddenly there is a feeling of heartbreak, yes, they are very bad, hanging out after skipping classes, teasing teachers, bullying classmates, but also stupid, naive, naive (the pony shouted for revenge after the death of the gang leader), vigorous and unbearable lure. But at least they are alive and real, which I envy.
I envy that kind of friendship, even if a person is lonely, I know that there is someone who will always support me.
I'm sorry, I couldn't help but want to move the camera back to the pony back to the car and say to Xinzhi: I'll meet you when you become the boxing champion and I become the boss. There were tears in Xinzhi's eyes, because he understood, he knew that the pony was afraid of disturbing his training, but he didn't say anything, this is the tacit understanding between brothers. Coupled with the "blue" music of the movie, everything seemed so perfect and so natural.
2. When the camera came back, Xiaoma asked Xinzhi with a smile on his face: Are there any bastards like us? Xinzhi said happily: No. Then he shouted: Hey, idiot, have you studied? At this time, the pony regained the shyness of the boy and made Shinshi stop.
Are there really no fools?
Let's recall the last shot, Tai Ye stared out the window and looked at Xinzhi and them outside, I think he is undoubtedly yearning. At this time, the teacher stopped him. This picture reminds you of nothing. Yes, at the beginning of the story, there is the same picture. The director has clearly answered the pony's question here, no matter what era children have such confusion, what is my dream, why do I live, full of such confusion, this is the tragedy of growing up.
3. Then the camera reaches the final picture, Xinzhi turns to look at the pony and asks: pony, are we finished? The pony replied seriously and with a smile: Idiot, it hasn't started yet. Then the two laughed.
This is my favorite place, not because of the hope that everyone sees, but because of the brutal youth aesthetics of Takeshi Kitano. We can see in the camera that although Xiaoma and Xinzhi are still young, you can clearly see two young people who are already very old.
This is what Kitano Takeshi wants to explain in the end. It is not a perfect inspirational work. It is more like a cruel youth work that mixes loose and unbridled freedom and chaotic pessimism. The director tells everyone very vaguely— - The ambitions cherished in youth are nothing but illusory fantasies, which will be shattered by reality sooner or later.
As I write this, I am reminded of Osamu Dazai's "Disqualification in the Human World", please allow me to stop writing here, so as not to contaminate everyone with the turbid ether.
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