French movies are very similar to the colors of oil paintings, and the dusk or the lights can make me smell the oil paints. After the lens is filtered, it presents a different kind of beauty.
In fact, it is also about love. The name of the cavalry on the roof itself has enough color tension and wide range of imagination.
In love with that actress, even the body language can reveal the richness of the lines. Like her in Prague Love. And she in red, white and blue. Her performance is like expressing herself through the stage.
In the plagues of Europe, there is no cruelty and bloodshed. There is love. There is love that remains pure as new after years of refinement.
In short, if I like the tone of French literary films, I like the tone of Juliette Binoche, and naturally I also like the tone of this movie.
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