This is similar to Korean movies.
A mix of Hong Kong films and Hollywood styles, the
opening segment "Police Breaking Down a Luxury Car Theft" is completely standard Hollywood. That is to say, the three-dimensional full phase of the protagonist will be shown first: the criminal policeman of the Seoul Global Investigation Team, with rich work experience (leave the back before he starts to beat people), he is both intelligent and brave in fighting crime, disguised as a local tyrant of Bao Xiaosan, and Jackie Chan possesses a car. The room is open to fight bravely. There is also a fatal flaw: a stubborn stubbornness. But it is also because of this terrible shortcoming that the plot of the entire movie can be reasonably laid out and unfolded in twists and turns.
Then the perverted handsome villain comes on stage, and the official plot begins.
I'm a little unaccustomed to the appearance of the two protagonists. The appearance time is a little long, and it can be more compact. The protagonist's warm feelings with his wife and son when he comes home after work certainly enriches the characters, but it has nothing to do with the plot and can be completely ignored. In addition to making people feel that a pervert is a pervert, the horror appearance of the perverted handsome guy is unconvincing.
But why does it look like a very familiar Hong Kong film flavor?
The fight of Jackie Chan possessed, and there are funny stories that have nothing to do with the plot from time to time. There are too many fighting scenes, and there are constant small fights, and the final ending also ends with a lively and hot street fight. But it's a fight, and you're making the cops read a Miranda's Law, which is another homage to Hollywood.
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