Let's talk about "Seoul Station" first. Unfortunately, I only found out that I was looking forward to watching the Seoul Station after reading the information about the trip to Busan. After watching it, I was completely disappointed. I do not recommend everyone to watch it, and points will be deducted for the director. Looking at the whole thing, I just want to vomit, and there is no other impression. Maybe I have watched too many movies of this type. Under the influence of Hollywood, their IQ has improved by several grades. Even if the settings of these zombie movies are that they have never heard of zombies, their reactions are really worrying. The IQ of the whole film is flawed! 1. The door is not closed the whole time. The subtitles for someone saying it's rude to close in Korea is ridiculous! When is this TM! Intimately afraid that the zombies can't open the door after catching up, right? 2. The heroine has a pig teammate in the whole process. Whoever encounters someone who dies, weeps and weeps all the way. There is nothing to say or do. How can I come here? It is rare to see such a movie and everyone just hopes that the heroine will die soon. 3. The ending is reversed. The heroine "Dad" turned out to be a pimp. She was also a conscientious employer who worked so hard to find the heroine to pay back the money. In the end, everyone played GAME OVER together, and 92 minutes passed like this... The first time it was so annoying When Koreans speak, Asi is annoying.
Let's talk about "Train to Busan". Personally, I think it's a bit overrated. Maybe it's mainly because of the halo of the first zombie movie in Asia, and the full screen of Asian faces is more close and immersive? The film is not bad, at least we can't make it in China, but compared with other excellent films of the same type, there is still a distance. I don't know if you have found it, but IQ online is already a necessity if you want to get a good reputation for this type of film abroad. Everyone's requirements for the plot are getting higher and higher. Often, in order to meet the needs of the plot development and add reflection bridges, the story direction seems very rigid and mindless, which is what we often call BUG, which will reduce the look and feel of the entire film. Word of mouth landed.
In fact, the setting of the trip to Busan was good at the beginning. The father and daughter took the high-speed rail, and there were zombies in the car and zombies in the car. There was no escape. The dilemma and despair of being surrounded and suppressed. Under the infection, he can gradually draw his sword to help the righteous Ling Ran. In fact, these little human natures are enough. Later, if he had to make a big one, a typical moral negative teaching material stood out. Selfishness was extremely selfish. Drive the male protagonist and the others into the innermost and safest compartment, what is it that you are next to zombies? What the hell is the zombie who ties the door adjacent to the male protagonist and doesn't care about the door next door? Now I'm really annoying that kind of plot that exaggerates and emphasizes all kinds of ugly faces in order to portray the sinister people's hearts. Routine! Still a trick!
The scene that shocked me the most in the whole film is when a group of people sit down on the escalator thinking they can get the protection of the army. The camera line of sight slowly emerges from their feet, but they are greeted by the zombie army, the kind of panic and helplessness. Blowing towards the face, all kinds of characters are also coming to an end in the toss of escaping, sometimes IQ is online and sometimes collectively offline. In the end, the heavy father's love ended the farce, and finally ended with the help of singing. Although moving, compared to a zombie short film I watched a long time ago (when the father was still a baby after he was injured and turned into a zombie) The child was tied to his back, tied with a fishing rod and hung a piece of meat in front of his eyes, and finally stumbled and walked aimlessly until he was shot by the survivors, and the crying baby was finally rescued when the body was examined) There is still a distance between the artistic conception...
Summary: The only connection point between the trip to Busan and Seoul Station 1. It is basically a story that happened at the same time, 2. The woman in stockings who harmed the whole car at the beginning of the trip to Busan is the voice actor of the heroine of Seoul Station, 3. The tramp in Busan has no other role than echoing the tramp in Seoul Station.
In short: despite all kinds of complaints, we still have to sigh that the production level of Korean films is still ahead of our country for many years, especially the selection of themes and the spirit of self-defeating may never be possible under the supervision of the great radio and television.
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