I love it so much! ! ! The director's control over the emotions of the characters and the rhythm of the film simply won my heart. On the edge of the city, the tension of trust between people is extremely tense, and all living beings have ghosts, absurd and real. Different from Quentin's naked blood, who put the rotten evil directly in front of you, Diao Yinan presents a kind of blood that is full of primitive wildness but quiet and restrained, growing and annihilating in the rainy night. A violent aesthetic with a mix of styles. Coupled with the preference for light and shadow, it creates an illusory and blurred scenery. Between the real and the false, there is the entanglement of love and hate and the pursuit of profit by everyone. At this point, the broken paragraphs are not so abrupt, and there is no need to obsess about the car lights or the moon in the distance, just immerse in them. Hu Ge's acting skills...I won't talk about it. After all, there are vicissitudes of Yan support. At the beginning, I watched Gui Lunmei play a little bit. The scene is also amazing. There is nothing particularly outstanding about the character setting, everyone is a blurry mirror. What does the film want to say at the end? Not sure. Maybe he just told a story, a dream woven out of reality. But still like it. :)
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