The materials of urban villages, coupled with the dirty color matching in the vulgarity, the dilapidated restaurant signs, the roadside stalls filled with the smell of gutter oil, the vulgar taste of square dancing, the inferiority and vanity of counterfeit jerseys, they are very low-level people. The gutter means passive resistance.
Most of the shots in the film only depict large or small light and shadows, or only motorbikes galloping past, leaving a deafening scene. It should have been a fast-paced shooting star, but it deliberately slowed down; there was no need to say a word, but it was dead silent. Every decision, every journey is a ritual sacrifice. Indeed, everyone's life is a first experience, and every decision is ultimately an adventure and sacrifice, and ritualization is undoubtedly a respect for life.
The plot of breaking into the zoo when Zhou Zenong is caught in the film can probably also be regarded as an animal fable - the law of survival in an alienated world driven by material desires. It is not easy to survive in such a cold world where the fittest survives, not to mention these marginalized people who are forced by life, the pursuit of 300,000 is a powerful struggle in the powerless life. While trying to make money, they are intriguing and pretending to be friends with people who are also trying to make money. It is very similar to the sad crowd in "Diary of a Madman" who "want to eat people but is afraid of being eaten by them". However, if each individual loses the purpose of existence and only wants to take a breath, then nothingness will become the norm, and gradually expand into the huge emptiness of "collective unconsciousness", then what is the difference between everyone and insects. What good does the whole world have with mechanical gears that are content with apparent steady state and lack endogenous power, aren't the people under the gears only "mad and dead".
There is one picture that is particularly clear: the hero and heroine look tired, their clothes are tattered, and their expressions are grim as they walk past a background painting of a skyscraper, with patches and small advertisements abruptly placed on the painting. It's ironic. Although Zhou Zenong who killed the police is not a positive figure in the full sense, his attitude of not seeking sophistry and exoneration and his actions of leaving property for his wife undoubtedly reflect his humble but noble kindness. As everyone knows, in this civilized society, is the person sitting on the top of the skyscraper noble, or is this poor boy more noble. Why don't you write down this frame and make a patch for it, there's no perfect thing; or take a funny framed photo of a "humble" small advertisement and a skyscraper straight into the sky, in fact, people are alive, it's similar .
Day after day I post little ads, year after year you climb to the unprovoked top, it's all Sisyphus.
The framing of the lake also has ulterior motives - everyone in the film has a slightly helpless tone, and the protagonist also exists in the attitude of "being alive", as if his overall actions are being driven by invisible forces, like a cruise ship in the lake. Above: People indulge their sensuality and sensuality in vain, people temporarily live in groups for warmth, and use a cigarette for a short period of time to kill the boundless melancholy. We just curled up in a small boat, laughing and cursing with the so-called people of our own kind, but we didn’t know that the water moved the boat away, and life was difficult for human beings. In fact, we are also "accompanying swimmers", and I don't know how to pay cheap smiles for what kind of people and what kind of things. But in fact, there is no distinction between the subject and the object of service. In the end of life, everyone is a beginner. Desires are boundless, life is limited, why use your limited life to fill the boundless desires of others. And the song is meant to be flattering and deliberately please, only to end up with the puppet singing and no one putting in coins. After all, the mechanical playback of the puppet song will only become a cliché.
The opera with the matching strings, the special effects of 50 cents for the puppet, and the vulgarity of the square dance are incompatible with each other but "compared to each other", which constitutes a comedy that can't be laughed or laughed - how grand the face is, how humble the inside is. I have already made a wrong step, and I want to pay for my own mistakes, but I am secretly entangled and bound by the interests of all parties. The suffering will not end, and civilization will not be able to atone for the sins. I can only use violence to suppress violence, wash the hypocritical face with greater bloodshed, and break through the moral kidnapping. The imprisonment of savagery and violence has become the only solution in civilized society. Fake face and scornful rhetoric are all articles.
Knock on the clapper, you see, the good show begins.
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