The right and wrong behind "Citizen Kane", the first in film history, finally someone made a movie

Colt 2022-01-03 08:01:40

David Fincher's most popular Olympic blockbuster of the year "Mank" was released. This movie gave us a familiar and unfamiliar David Fincher.

This is also destined to be an unpopular film that won't attract much attention and popularity.

Frankly speaking, "Mank" is a movie that is difficult to digest, especially if you don’t understand the background of the golden end of Hollywood in the United States, and don’t understand who William Hirst is. It’s not about Hollywood, which was far away from us in that era. For those who are interested in the past, "Mank" is an obscure movie that you can't even keep up with the dialogue.

BUT! If you are a fan of David Fincher, you have a strong interest in literary films, you are curious about the classic controversy in Hollywood, or you are a senior fan of "Citizen Kane", then when you watch "Mank", There will be constant intracranial orgasms.

But even so, I still have to emphasize that this is not a digestible movie. If you don’t just understand the plot, you want to experience the light, shadow, and sound, or enjoy Gary Oldman’s performance. You need to watch it a second time, or a third time.

"Mank" can be said to be the purest and most academic creation I have seen this year. It pays tribute to "Citizen Kane" and is the most personal work of David Fincher.

I can’t say that "Manke" will be the leader of next year’s Oscars. After all, I haven’t seen Zhao Ting’s "A Place to Nowhere", but as far as I can see it, I personally think that the best script, the best photography, the best The actor, best director and Oscar nomination for best film should not escape.

The film "Manke" boldly made a unique "film review" evaluation of "Citizen Kane", and also questioned and pondered American politics in a series of witty words, and used a modern perspective environment and thinking to deal with the Great Depression in the United States. The next few major political dramas are to satirize the current public opinion environment and social ecology in the United States torn apart.

What surprised me was that although the film did take the writing of "Citizen Kane" as the starting point, it did not put the focus of the story on "Citizen Kane" itself. Do you... understand what I mean?

The director of "Citizen Kane" Orson Wells also appeared in one of the few scenes. In the process of writing "Citizen Kane" by the protagonist Mank, the plot did not actually center on "Citizen Kane". The script, or how the production of the "Citizen Kane" movie itself was ill-fated, I mean most of the plot. Instead, the film focuses on Mank’s career as a screenwriter, leading the audience into Hollywood’s 1930s and 1940s. .

"Mank" is based on "Citizen Kane" screenwriter Herman J. Mankiewicz, also called Mank as the absolute first male protagonist. The narrative structure uses the positive sequence 1940 and the flashback period from 1930 to 37, two The timeline is intertwined and unfolded, presenting us with a relatively complete Mank's tortuous and sorrowful screenwriting career.

In addition to black and white, the film also has a non-linear narrative structure, some lens scheduling and composition, deep focus photography, especially the lighting of the stage effects, all responding to "Citizen Kane".

As discussed earlier, the plot of the film for most of the time is not related to "Citizen Kane", but rather tells the story of Hollywood in the 1930s that Mank previously brought out.

There are many roles in the film. In 1930, Manke was already a very famous screenwriter in Hollywood. From Paramount to MGM, Manke and other screenwriters wrote more than 20 movie scripts. During Manke’s stay at MGM I met William Randolph Hirst, the newspaper tycoon at the time, who was the original character of Kane, the protagonist in "Citizen Kane".

Hirst admired Mank's personality and works, and asked Mank to have dinner at his mansion castle, where there are top celebrities, talking about world current affairs and American politics.

In Namank, he also met Hirst's lover Marion Davis, and the two quickly established a confidant friendship.

Just when Mank could continue his career, as the friendship between him and his colleagues and friends deepened, his own drinking habits, and his unobstructed expression of his maverick character, he kept offending him. All kinds of powerful people, including Hirst.

In a dinner at Hearst, Mank, who was so drunk, had a sudden inspiration and improvised the American version of Don Quixote's story, but it was actually based on Hearst. In that dinner, Mank had no other people. He improvised and improvised the story he had created to insinuate Hirst, but he was also full of ugliness, and was rejected and spurned by everyone.

Eventually, Hirst completely swept Manke out, and Manke fell to the lowest point in his career, just as he suffered a broken leg in a car accident.

For this reason, in order to make a living, Mank took over the invitation of Hollywood outsider Orson Wells to write a script without a signature. It was "Citizen Kane" that later made Mank's most successful career.

In the process of writing "Citizen Kane", Manke encountered various difficulties, including the issue of controversy over the right of authorship, but in the end he still decided to insist on taking back his right of authorship and won the Oscar for the best screenplay.

After listening to the general story outline of "Mank", I believe most people should have a "so boring story" barrage in their minds.

Indeed, investors have been thinking the same up until now, which has also led to the production of "Manke" itself, which has encountered more obstacles and difficulties than "Citizen Kane".

Maybe you don’t know yet. In fact, the screenwriter of "Mank" is Jack Finch, the father of David Finch.

Jack Finch wrote this story as early as the 1990s. He wanted to use black and white expressionism to present the movie, consistent with "Citizen Kane".

But it is precisely because of this maverick that the film type was downgraded to an art film, and the investment and the producers were discouraged. This withdrawal was the shelving of the project for decades.

Until the death of Jack Finch in 2003, "Mank" was not finally developed. In the new era of big-screen entertainment movies, there are not many big production companies willing to write huge checks for such art films. .

David Fincher was tossed and turned, and finally Netflix was willing to shoot, just like Alfonso Cuaron's "Rome" operated by Netflix, and Martin Scorsese's "The Irishman".

The wealthy Netflix has always wanted to prove its support in artistic attainments. Of course, it is more practical to occupy its place in major film festivals.

"Mank" is a work that I think is difficult to present with an oral plot. This may be one of the charms of this film. The seemingly trivial events and dialogues in the film are like prose poems or jazz. , To show us, those Hollywood stories far away from us, it is difficult to narrow the distance between modern audiences and the film’s story and characters at the time, but as long as you get close, you can feel the enthusiasm and sincerity brought by the film creation. .

As a political fan, David Fincher, the film also satirizes the current split between American parties and electoral people, which has long become a symbolic culture of the United States or the West.

The Mank in the film is more like a liberal. His sense of morality always has the opposite reference in reality, which is worthy of sympathy, but sometimes it also feels unreasonable.

The big studios in the film have fallen, and the elegy of the golden age of Hollywood has also been portrayed by David Fincher as the last struggle of the capitalist search, without any romantic atmosphere.

The film did solve many of the mysteries behind the creation of "Citizen Kane", such as whether "Rose Bud" was that part, or who actually wrote the script, who was the biggest hero of "Citizen Kane", etc. .

However, if you go into it carefully, in fact, how many of the truths in the film are true.

Jack Finch wrote the script of "Mank" at the time. It was the controversial article "The Way to Cultivating Kane" written by the famous American film critic Pauline Kyle in 1971. This is a 50,000-word essay. Also published as a book.

The article pointed out in detail that the script of "Citizen Kane" was written by Mank, and questioned Orson Wells from line to line.

After the paper was published that year, it caused a great bipolar controversy, and Pauline Kyle's own reputation also received a great impact.

And another voice of opposition, by studying the draft script of "Citizen Kane" seven times, summed up the many talents of the film "Citizen Kane", which are actually Orson Wells's genius acts, the original script. Basically, they were all clichés of the script structure at the time.

Which is right and wrong, it seems to have become Rashomon-like history, which is like those special treatments in the film, which are dreamy and foggy, full of unreality and melancholy.

I believe that "Manke" will not be a movie that can be known to more people or has a popular label, just like the data of "Citizen Kane" I made is so bad, I believe this video is the same.

But "Mank" is definitely another masterpiece that you can't bypass or miss when you talk about David Fincher in the future.

If you are passionate about art films, "Mank" is worth spending more than 2 hours dreaming about Hollywood's 30s.

View more about Mank reviews

Extended Reading
  • Melyssa 2022-04-20 09:01:59

    Very disappointed, this is the star if there is no second brush. I never expected to be the "Irish" of this awards season. If you don't know the history of Hollywood, the lines in it are simply tormented, and you can't get a single stalk in it, and the two-line narrative that keeps jumping A great test of your familiarity with background knowledge. Even if David Fincher's gorgeous movie audio-visual means are bombarded with you, but there is no emotional substitution, only stupidly staring at the crazy performance of the dog, it is absolutely impossible for you to establish an effective interaction and connection with the image. . I can understand the general plot, but to be honest, it's really boring. I just finished it after reading it, and there is nothing to remember.

  • Linnea 2022-03-25 09:01:12

    When the film came up, it was announced on the word card: RKO fully delegated power to the 24-year-old genius director Orson Welles, and shot materials at will without supervision. But why? Finch did not explain. Although I personally understand this matter, as well as the rise of the Greek district to the United States and the rise of Houston with black films, they are all related to the war situation in Europe. In 1940, when Vichy came to power, France and Germany, the place where the culture and culture revered, turned enemies at the same time. Hollywood is bound to follow the turn to foster British cultural elites. No matter what the truth is, Wells can't be counted as a positive image in this film anyway, and only after the final scene smashed the wine box in anger, he provided the ironic inspiration for Manke's drama. At this moment, David Fincher seems to be possessed by Polanski, using the film and off-screen to ingeniously set up the reincarnation of fate - although we all know that Orson himself has always been an outsider in Hollywood, and the self-consciousness of naming everything is surging. There is absolutely no way to become the next William or Louis just by virtue of this convergence of temperaments! ...PS Gary Altman has a precondition for accepting films in the future: the first female supporting role must be a stenographer, and relatives or boyfriends must participate in the war. Whether it is born or not will be discussed later.

Mank quotes

  • [a drunken Herman Mankiewicz sits at the corner of a large dinner table at an elaborate costume party, hosted by William Randolph Hearst and Louis B. Mayer. Instead of tinking on a glass to get the guests' attention, he slashes his glass with a knife. Gasps fill the room as he rises from his seat]

    Herman Mankiewicz: I've got a great idea for a picture, Louis. A picture I just know you're gonna love. It's a modern day version of Quixote!

    [Mank realizes his voice echoes through the room, but he continues, circling the table full of silent guests]

    Herman Mankiewicz: Now I know none of you read, but you know what it's about. A deluded old nobleman, who tilts at windmills. So how might we update this story?

    Butler: [whispers to Hearst] Do you want me to get someone?

    William Randolph Hearst: No.

    Herman Mankiewicz: How about we make our Quixote... a newspaperman? Who else could make a living tilting at windmills? But that's not enough... no, he wants more than readership. He wants more than adulation, he wants love. So, he runs for public office, and because he's notably rich, he wins... no, w-w-w-wait a minute. Notably rich and powerful, can't win over an audience unless notably rich and powerful sees the error of his ways in the final reel. Notably rich and powerful and making no goddamn excuses for it is only admirable in real life. Isn't that right, Louis?

    [Mayer glares at Mank as he drunkenly attempts to light his cigarette with the massive fireplace at the end of the room, unsuccessfully. Marion Davies takes a swig of her drink]

    Herman Mankiewicz: So what do we do? Anybody? We give him ideals! Ideals that any dirt-poor, depression-weary audience can identify with. Our Quixote is against crooked trusts, he's for the eight-hour workday, fair income tax, better schools. Why, he's even for government ownership of railroads. And you know what we call those people?

    Male Guest: Communists!

    Female Guest: Anarchists!

    Herman Mankiewicz: No, our Quixote, he's a two-fisted muckraker. In fact, someone predicts that he will one day win the presidency and bring about, get this...

    [laughing uncontrollably]

    Herman Mankiewicz: ... a socialist revolution!

    Louis B. Mayer: What a bunch of bullshit.

    Herman Mankiewicz: Is it? Tell him, Willie. Tell him.

    [Silence]

    Herman Mankiewicz: Upton Sinclair used exactly those words to describe a young William Randolph Hearst.

    Louis B. Mayer: [leaping from his seat] You miserable bastard!

    Herman Mankiewicz: [bowing] How do you do?

    [Some guests begin to leave the room, but Hearst's and Mayer's eyes stay on Mank]

    Herman Mankiewicz: Our Quixote, he hungers, he thirsts, he lusts for the voters to love him, love him enough to make him president, but they won't. And they don't. How do you suppose that could happen? Could it be because, in their hearts, they know he values power over people?

    [More guests leave as Mank approaches Hearst, still seated]

    Herman Mankiewicz: Disillusioned in Congress, he authors not one single piece of legislation in two terms. Can you believe that? That'll take some writing. Placed in nomination for president... it's too radical for the boys in the back, his bid goes nowhere! But we're doing something. We're building sympathy!

    [Even more guests leave]

    Herman Mankiewicz: Rejected, he flees to lotus land, where his faithful troll, Sancho, has prepared a mythical kingdom for...

    [Mank eyes Davies, stopping himself totally]

    Herman Mankiewicz: Wait a minute. I forgot the love interest! Her name: Dulcinea.

    [Every remaining head in the room turns to Davies]

    Herman Mankiewicz: Funny, adventurous, smarter than she acts. Ah, she's a... she's a showgirl! Beneath his social stratum, but that's okay because true love on the big screens, we all know is blind. And she... well, she loves him, too. So he takes her away to his m-mythical kingdom,

    [to butler]

    Herman Mankiewicz: can I get a bicarb?

    [back to the guests]

    Herman Mankiewicz: Now, along comes nemesis, that's Greek for any guy in a black hat, nemesis runs for governor, and he's a shoo-in to win. Why?

    [points to Hearst]

    Herman Mankiewicz: Because he's EXACTLY what our Don used to be! An idealist, ya get it? And not only that, nemesis is the same guy who once predicted that our Quixote would one day preside over a socialist revolution. Our Quixote looks into the mirror of his youth and decides to break this glass, a maddening reminder of who he once was. Assisted by his faithful Sancho

    [pointing to Mayer]

    Herman Mankiewicz: and armed w-with all the black magic at his command, he does just this. Destroying, in the process, not one man... but two.

    [Hearst is clearly furious, but maintains his composure]

    Herman Mankiewicz: Well, what do ya think, Louis? Hm? Do ya think it'll play?

    [Mank finally belches onto the floor. Any guest who hasn't already left does so]

    Herman Mankiewicz: Don't worry, folks. The white wine came up with the fish!

  • Herman Mankiewicz: Irving, you are a literate man. You know the difference between communism and socialism. In socialism, everyone shares the wealth. In communism, everyone shares the poverty.