The most healing but also the most disappointing thing in the film is precisely the idea of the ending. The creative theme eventually became a spiritual opium to completely please women. The excessively lengthy development in the second half made Han Ying return to the mother-in-law of Korean dramas. . It seems that by letting the heroine wake up and bear the psychological pressure, the two can save each other. And when every different Yu Zhen stepped forward to meet her kiss with the steps of becoming a family, I could not see a three-dimensional image of him, who was suddenly enlightened and not afraid of future dangers, all I saw was the release of Buddha. An idealized male wooden doll in the Mary Sue plot. The focus of female audiences is not that I can accept you whatever you become; all they want is that no matter what you become, you must still love me 360° without dead ends.
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