NZM is an excuse

Gia 2022-08-19 03:49:00

Love is a big, deep topic. Starting from physical instinct, coupled with the effect of social public opinion, most people are in pursuit of the other half, and they appear in many other love movies, or ambiguous, or tender, or lingering, or angry, or entangled, or love you to kill You, or obsessed with the body, or clearly in love can not be together...

stop! Too hypocritical!

Put aside the skin and say love? Cynical philosophers would single out and say, what's wrong with being generous in admitting looks? Didn't the male protagonist in this play choose a transformation period that he felt would definitely attract the female lead to confess, and forced himself to sleep for the sexy Li Zhenyu to appear on the date of his appearance as a grandmother? This is the original true meaning of love, to exchange one's best side for a love, let alone insincere, basically no one will let their worst side appear in front of the person they like. This is instinct.

Watching, watching, I have a deep doubt: why are boys who change, and girls who change when they wake up? Anyway, regardless of gender, this kind of change can be experienced. If so, then the question is, will boys make choices in movies like Han Hyo Joo? Can't provoke a gender war, but the answer always feels self-evident, social roles and sexual instincts are different, right? When the gender setting of the protagonist was discovered, the movie was no longer warm, and I always felt that the director told a story of great philosophical significance.

In the face of a changing face but the same heart (assuming there is no change in the heart), this is called "eternal love", that is, no matter what kind of person you become, I love the feeling of being with you. The pressure faced by the protagonist is that he can't tell people who his boyfriend is, and the psychological pressure caused by obstacles in the social function of love. Would the men be under pressure to do this if things were the other way around? Watching the male protagonist in the film is forced to leave school and friends at the beginning, it can be judged that there must be social dysfunction, but is there any love dysfunction? If you are a boy, can you accept the GF around you, whether it is a boy, an old man, a child, or an ugly girl? A joke that once advertised that boys are infatuated animals is that no matter how old I am, I only love beautiful 18-year-old girls, and change their faces every day. If they are all beautiful, maybe, not bad?

The scenes where the director has dialogues in the shooting are basically boys who can see the past. When uncles, boys with a little out of shape, and ordinary male characters appear, there are basically no lines. The settings here are about the cruelty of love. sex? Admittedly, when a handsome guy appears, women will take a serious look, and when an old man appears, our faces will still twitch uncontrollably. Just like the "excessive" demands made by the second male lead when he became his favorite girl, these are all fun little factors.

Finally, I returned to the Charles Bridge in the Czech Republic. The scene of the proposal and the constant transformation flashed. I asked the girls around me this question: Can you accept that your BF has a different face every day? Answer: NO; further question: Can you accept that your BF has a handsome face every day but this face is still different? After a pause, he replied: still NO. Next time I'll ask a guy to ask.

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