In such a rhythm of watching the lake alone, the laughter in the first half of the movie is basically immune to me, the sparse metaphorical laughter that is stretched by time with a bit of a pornographic joke, and it is difficult to entertain myself without anyone sharing it. happy.
I ignored the laughter, ignored the previous situation and ignored the exquisite furniture, and concentrated on waiting for Li Xiu to appear, just like expecting the lake in front of me to suddenly set off a stormy wave.
Fortunately, Han Hyo Joo didn't let me down, and Lee Soo didn't let me down.
As an amateur film lover with a pessimistic attitude towards love, most of the profound love philosophies are the same for me, and I lack the basic knowledge of the layout and structure of the film. I pulled from my world to their world and told me a well-prepared story, whether the story was good or bad, whether I got into the play or not, it all depended on the actors' acting skills.
I want to talk about the "Miryang" I watched a while ago, the heroine Shin Ae, the opening scene, the widow moved to the country with a son who behaved strangely, in short, a single woman with a story, and then back to "" "beauty inside", the heroine Li Xiu, a young and beautiful furniture store employee, a single woman like a blank sheet of paper. The biggest difference between a single woman with a story and a blank single woman is that you won't be too shocked if the former breaks down hysterically and bursts into tears, while the latter just cry quietly and you have to wonder what happened. what is it. If a character's background is explained meticulously, many plots will be self-evident. If there is no background, then all her emotions will have to be explained in another way, and this explanation can only be done by the actor himself. How to use it? Acting pulls the audience into her world, reading slowly, line by line, the words carefully written on this white piece of paper, which is no easier than being hysterical.
Action films attract attention with wonderful fighting scenes, suspense films rely on dangerous situations to create suspicious plots, and drama films of course rely on the plot to keep the audience, so what about fantasy romance films? Compared with traditional romance films, the plot of "Beauty Inside" is too loose. The director is indulged in the scene switching of Yu Zhen's transformation, indulging in the beautiful scenery, and indulging in expressing deep love in slow lines. In philosophy, some have lost the rhythm. Fortunately, the picture is beautiful enough, the BGM is good enough, and the actors are eye-catching enough. Otherwise, such a rhythm will definitely kill a group of impatient people.
It was not until Li Xiu came on stage that I gradually realized that the slow pace is also a good thing. The slow-motion smile when I dated Yu Zhen, that kind of pure sweetness, clean and pure, is the speed at which love happens slowly, just right. From then on, I felt brought into Li Xiu's world, and I began to witness her happiness, understand her contradictions, and understand her heartache. Although the male protagonist's setting was too illusory and did not resonate with people, I still entered into the world of Li Xiu and accepted such an incredible love.
Han Xiaozhu calmly became Li Xiu, and she became Li Xiu who was also calm. Gradually, she discovered that this woman like a blank sheet of paper loves work and life, understands fun, is very literary, and does not seem to have any love experience. , friendly to people, cheerful, mature and decent at the same time, like a quiet and beautiful lake, clear and simple. Such a woman will be shy in the face of the person she likes, but will not avoid it; like all girlfriends, she will sometimes get angry, but she will not cry, just hug it; she will sit alone in the room and be sad, but not Will be hysterical and will not disturb others. She is unreserved to the audience, all emotions, all stories are revealed from a pair of eyes, hand movements, voice changes, just like our daily life, the real details, Li Xiu is connected to the illusory The connection between Yuzhen and the audience in the real world.
I like two acting skills the most, one is as shown by Jeon Do-yeon in "Miryang", the huge physical and mental pain is naked and even bloody through body language, through crying through the incomprehensible but both The behavior that is reasonable is displayed violently. Such a performance is shocking, it makes people shiver, and it makes people fall into painful thinking. The other is as shown by Gong Li in "Return", calm, without the help of strong color performance, all the grief and emotion are condensed in the eyebrows to express. If the acting skills in "Miryang" are like a cup of spirits, which goes through the whole body with one sip, "Return" is more like a cup of bitter tea, which slowly flows through the body when you taste the subtle feelings slowly. Han Hyo-joo in "Beauty Inside" seems to have the feeling of the latter. She has calm acting skills beyond her age. She seems to be standing on the edge of film and reality. The journey of his heart, the feeling of his heartache is so natural and real. At this time, the slow rhythm finally played the biggest role. On the screen, Li Xiu faced the psychiatrist and slowly held her arm with her hands. Tears gathered in the corners of her eyes, and her voice trembled when she expressed her inner fear and pain. Her mood was also taken away by her. I would also like to mention Qian Yuxi, one of the Yuzhens. I saw her "Princess Han" not long ago, and I was also impressed by her calm and tense acting skills. Sure enough, I was not disappointed in this film. The lines, the two opponents' scenes are full of highlights, and I think Qian Yuxi is the avatar that best continues Yuzhen's feeling. There are many avatars that give me the feeling of dancing, if not for Li Xiuru's eyes , there is really no way to imagine that it is still Yuzhen's level. But Qian Yuxi and Park Seojun have a very high degree of fit, and they feel like the same person. I remember in the interview, Qian Yuxi said that he did not deliberately play a man, but just worked hard to play a person who loved Li Xiu deeply. Thinking about it this way, the feelings are right, and appearance doesn't seem to be that important.
In addition, I would like to mention a few scenes in particular.
The first is the detail of Li Xiu's hair tied while eating. In fact, this is Han Hyo Joo's own living habit, and she was naturally brought into the movie. Thanks to this detail, I was closer to Li Xiu, and I am the same People who feel that long hair is inconvenient and want to tie it up after eating haha. Movies come from reality and are higher than reality. The actor's personal color is appropriately given to the role, which is unique and close to people.
The second is when they broke up, Li Xiu just stood there and watched Yu Zhen leave without chasing after him. No matter how nonchalant she acted before, she didn't have the courage to keep it now. Yu Zhen proposed to break up, and Li Xiu was actually relieved. , but she was afraid that Yu Zhen would find out how she was feeling. This kind of inner entanglement of human weakness is so real that it will happen to everyone. The scene of flying snow in the sky is really beautiful. Li Xiu's back and Yu Zhen's back make people feel helpless and heartbroken.
The third is when Li Xiu heard the familiar music being hummed by the intern, the painful thoughts came to her heart, and she cried silently. She squeezed out a smile and said in a crying voice: The song is really nice. Even thinking about that scene now, I can't help but sigh.
Fourth, at the end, Li Xiu came to the Czech Republic to find Yu Zhen who pretended not to know her. She didn't break it right away, she didn't immediately burst into tears, but restrained her questioning and talked slowly, "Do you work alone?", "yes, I do"....."I could just email you, but I want to see you and talk to you... And here I am..." The voice went from calm to trembling, and finally covered Yu Zhen's hand, That relieved and heartache "Yu Zhen ah"... The image of Li Xiu Jiang leaning on Yu Zhen's shoulder and crying reminds me of a song #A shoulder to cry on#... Words can't describe the feeling, It seems to be the most touching thing I have ever seen, reunion after a long absence.
Watching this movie for two hours in a slow and quiet rhythm, it seems like a quiet evening, the night is slowly swallowing the afterglow of the sunset, there is a grove behind, birds chirping, and there is a lake in front of me, I sit on a small stool There is nothing to do, just watch the lake. Honestly, it's boring enough compared to watching an F1 race. But fortunately I didn't fall asleep. In the two hours after reading it, it was a quiet night. I lay in bed, thinking of Li Xiu, and tossing and turning.
The lake in front of me did not set off a stormy wave, and I seemed to fall into the endless ripples.
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