A bit of Kurosawa's shadow. The actors here are the mainstays of Chinese film history. Including the fledgling Zhou Xun and Wang Qianyuan. Teacher Li Xuejian is really awesome. I never looked down on acting before. Now it looks like it's full of emotion. It is very human to play a first emperor. Ying Zheng was imprisoned in Zhao State since he was a child, and the sheep could be killed at any time. His mother cheated on Miao Shu and gave birth to two children. His father was not King Qin but Lu Buwei. He is tyrannical, extreme, hysterical, and the first emperor who longs for emotion. It is reasonable to think carefully about the mentality of the characters. It is not like Chen Daoming's high Daquan. He was right in what he said at the Ancestral Temple of the Qin State. It was not the King of Qin who helped him when he died, but Lu Buwei. He was unwilling to kill him, but if he announced that he was not the King of Qin, then he would not be in power at all. Now, let alone rule the world. Therefore, he had no choice between the two paths of killing his father and reunifying. Wang Zhiwen's Miao Shu is also very multi-faceted. He is very good at disguising himself in front of Ying Zheng, and he promises in front of him. It is impossible for Zheng to do this at all. He really loves the Queen Mother. Before he died, he announced Ying Zheng's life experience, and psychologically attacking Ying Zheng was also to express his suppressed psychology for many years. The entire first half of Zhang Fengyi's Jing Ke was a light-hearted one, but it broke out at the end of the film, from defeating the heavy assassin, to laughing and scolding one person to assassinate the King of Qin in the palace, revealing the domineering of China's No. 1 assassin. I just don't know why King Qin finally hugged him and cried, especially after knowing that Fan Yuqi didn't tell the secret. Is it a hero cherishing a hero? Gong Li is really beautiful, and you feel like she doesn't have a particularly explosive performance, but she is particularly able to integrate into the whole drama without being obtrusive, and it is a link between the previous and the next, and the important roles in the film are all related to her. The play can also be picked up. She was definitely the luckiest actress of that era, working with all the fifth-generation directors in China, and at a time when they were the most passionate and attentive in their creations. In the end, Pan Changjiang and Zhao Benshan played a little bit, especially Gao Jianli played by Zhao Benshan, and the wind at the end was sluggish and Yi Shuihan was very happy.
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