Thrilling. The campus life can't help but make the viewers throb first. Those days when we can't go back are suddenly brought to the front by the play between the students in the film. At the age when God forgives any mistakes, he loves female classmates unscrupulously. , even adoring female teachers and, of course, female students vice versa. The youth of the students in the film represents the growth years of each of us, which is throbbing.
Impressive. The protagonist, Sidi, is a middle school student in his teens, at the age of sexual enlightenment. Before he began to unbridled lust and love, he focused his attention on the newly appointed female teacher, Viona. Obviously, like many young boys Mature women's stories are the same, this is not love, but a classic journey of lust and sex. From the first time they "get along" alone (being punished for leaving the dead body of the fly), this game of chase begins. On the surface, Sidi is active, focusing on Viona's neck through a subjective lens, showing his crazy sexual impulse. As he stood on the stool and scrubbed the dead flies, he couldn't help looking down at Viona under him, and Viona also felt the stare behind him. Perhaps she understood something immediately, and she subconsciously turned back to Sidi. After looking at each other, he then turned his eyes to the bottom, and couldn't help laughing dumbly, maybe he saw Shi Di's bloated little DD? I'm sure it is, and it's the first chicken-heavy moment.
The second "getting along" alone was deliberately done by Sidi. Unlike the first time he was passively left behind by the teacher, this time he briefly contacted Viona under the guise of looking up words, and once again focused on the female teacher who was covered by the skirt. The subjective shot of the legs made the second chicken move moment. While Viona's re-perception embarrassed her, it also stirred up a woman's heart. The display of these two subjective shots is very tense, representing the erotic experience that we have had in each of the years since then.
The third solitary "getting along" was a one-time ascension of pleasure. Viona took Sdy to the map room to get teaching aids, and when Sdy went upstairs, he focused on Viona's legs and heels in stockings, and even on the buttocks under the skirt, which constituted the third chicken move. time. Then Sidi accidentally pulled the broken handrail off the wall when going upstairs, and Viona then stepped forward to help "insert" the handrail into the wall. XXOO a foreshadowing and hint? I'm sure it's a hint, and Viona's willingness to help represents a sort of mentor role throughout the story that enlightens Stie's sexual experience. Immediately afterwards, Stie took the initiative to kiss Viona, and Viona responded amicably in addition to the brief abruptness. At this time, Stie's sexual impulse and Viona's desire led to the first perfect marriage. Combining, it was also at this time that Sidi's initiative and pursuit also started Viona's initiative and pursuit from the very beginning. Absolute initiative and obsessive pursuit laid the groundwork. This "first kiss" is definitely a touching moment. Unlike the previous three Sidi's subjective shots, starting from this kiss, the two are about to start their erotic journey, and the inner motivation of taking the initiative and chasing also begins to become It got blurry, I don't know whether it was Sidi's impulse that constituted sexual desire, or Viona's indulgence was out of control. In short, the sperm was on the brain, the desire was caused, and everything was attributed to sex. Since then, I will no longer summarize all kinds of chicken-moving moments. It can be directly described as XX and OO. In short, it makes chickens move.
Chilling. Every moment of the chicken movement of the two is accompanied by the non-narrative music of a church-like spiritual song. Although there is chicken movement, it is not pornographic. The solemn singing marches like a ritual, and while the two people's eroticism is beautifully handled, it also shows that this is a solemn ceremony about sex, and it is a compliment to Sidi again and again. The chicken-moving moment ended with the girl next door's temptation to Stie, coupled with the gradual understanding of Viona's husband's unsatisfactory situation, and the unfortunate death of his brother, Stie began to quickly cool down from his previous sexual urge. , He began to feel lost, confused, distressed and overwhelmed. At the same time, Viona's obsession and dependence on Stie could not be satisfied, and there was also loss, confusion, distress and overwhelm. The difference between the two The thing is, Stie grew up in the lost, and Viona was lost in the lost. The two no longer have moments that make people move. The end of the film is full of hesitation and trance, making people forget the previous throbbing and moving, leaving behind a pale fate and a misunderstood life. freeze.
"Farewell in the Classroom" not only opened up Sidi's youthful sexuality journey, but also stirred up the woman's desire in Viona's heart. Sidi was lucky, and found Viona in the course of youthful sexual desire, satisfying all men's assumptions about women. Viona is also not lacking in luck. In the trajectory of her love-absent life, she met the young, handsome, and pure desire Sidi. FAIR", there are no winners and losers in life, there are just different you and me. After watching the film, feeling moved, and rubbing it and drying it, we will continue the literary and artistic sentiment conveyed by the film, and continue our journey toward the front of life. After the experience, we will never look back.
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