This is a movie that I want to watch after watching it.
The hero and heroine are really beautiful.
The theme background music of the movie sets the tone for the whole film from beginning to end, poignant, sad, that kind of lightly haunting feeling, reminds me of Paradise Cinema, the background music of these kinds of movies is always for the plot of the movie. The atmosphere, adding mood, is as indistinct as a light thread, which makes me have to like classical music.
It's like the title of a movie. It talks about such a thing, but it's just a name, just like a person's name. You know a person's name, meet a face, and then slowly understand ta.
The Love in the Classroom begins with the taboo teacher-student love and unfolds a growing process of teenagers in a transitional period. The real protagonist of the film is actually only the male protagonist.
Maybe I am confused by the beauty of the male protagonist. I feel that he is like an angel on earth, although not as perfect as an angel in heaven. Speaking of which, it is painful for a boy to grow into a man, and the same is true for the male protagonist, Sidi, you see him in the end Sitting in the movie theater, Qiu Langkong's eyes were full of tears, he was sad, but in this film, he was always thinking of others, soothing others' pain, not good at words, but delicate and warm, loving. With the empty female teacher Viona, accompanied by her frustrated husband Frank, the mother who was worried about hearing the bad news of her eldest son, patted the father who lost his son in pain, eager to explain for fear of hurting the girl she liked, and even helped her at the beginning. The Jewish boy speaks, he may be such a good and gentle boy by nature.
The physical love affair with her teacher, Viona, was a boy's sexual enlightenment. She was both his knowledge teacher and his sexual enlightenment teacher, but she did not play well in either of these two roles. Like other supporting roles, it's just a foil in Sidi's growth process. Maybe it has something to do with the male director's vision, which is more lustful or lustful. I wonder if it's a female director, will it make the story more partial? Sensation, then the film is a dual protagonist. In terms of sex, Stie surpasses Viona, he has grown up, in the film, Stie is no longer so obsessed and caught in the net, the teacher Viona even blatantly threatened and controlled him with sex in the classroom, he hated it This, he doesn't like it, he wants to break free, and at the end, he threatens her the same way, with a playful smile on his face, I know he's grown up, and he ends up with two stacks of dictionaries in both hands Is the book conveying to the audience for the director to get rid of the control of sex, people win with rational knowledge, and through Stie's mouth, tell Viona's cowardly husband, stop being a male slave of female sexual organs, of course, we women also have Say don't be a maid of male sex organs.
With the teacher husband Frank, Stie and him are as natural as the conversation. I am surprised that Frank can still chat with Stie so naturally and casually after finding out that his wife is cheating, and there is almost every Viona. Not in the picture, it's hard for me not to see the director's shadow or his hands controlling or influencing the character Frank, Frank's business is down, he has his own pain, his wife can't understand him, his emotions can only be Output and communication through music, but unfortunately his wife is a tone idiot, but Stie can talk like a friend, from the conversation between him and Stie, he seems to have cheated, could it be this? The reason, he can understand Sidi, Sidi also understands him, Sidi's mother asked Sidi at the end if he has any concerns, Sidi told her, when she is older and understands more, she will tell her, here I obviously feel that there is empathy between people of the same gender, so Frank and Stie are more like a conversation and communication between men. For Stie, in addition to being a friend, he is also a bit like a father, and even a bit like a teacher The role, he led Stie into the world of classical music, brought him to understand that the world was changing, and let him enter his heart. Frank is actually quite pitiful. He is in a changing era, and he is unwilling to change. Powerless to change, destined to be left by the tide in the torrent of the times, he wants to go back to the past, so he finds out his shoes and plays like his peers with Stie, it is precisely because he lacks Stie's courage that he cannot face the In the future, he can only indulge in alcohol, he can't get rid of this marriage, he can only console himself with music, he is in such an era, he can't break free and reconcile, just like that scene that made my heart move, he and Steve Sitting together, the wine was spilled and refilled on the table, and the slow flowing music was mixed with the sound of male announcements from the radio that seemed to be about the war. He burst into tears and kept talking, obviously in the same language. But he couldn't reconcile at all (the general idea in my memory is this), he was so painful, and on the other hand, Sidi, he learned the news that his brother might be killed, although he also sought the help of alcohol, but he did not fall down, there was a kind of feeling in him. A very important quality is courage, which enables him to grow.
As for Sidi's father, there are not many scenes in the film. The most impressive thing is the sound of grunting in the middle of the night. There is not much communication between father and son. The hat still needs to be hung on the antlers. In fact, the emotional communication between the father and son may not be as good as the chat between Frank and Sdy.
And mother, mother is very good, Sidi loves mother, mother loves him, mother's birthday, she opened a gift, it turned out to be a duck, she didn't know whether to laugh or cry, other people present didn't understand, the exchange of eyes between mother and son They tacitly agreed with each other, as Sidi said it was a family secret, and as brother Theo said, this is what it really feels like to be home.
In addition to his friend Frank and his father, the most important man to Stie is his brother Theo, who is like an idol in addition to family affection. He worships his brother, and for him , Theo is a bit like a projection of himself in the future. The way he gets along with Theo allows me to see the relationship between brothers through a male perspective. In the end, Theo's death caused great grief to Sdy, just Force him to grow like a boost.
The break with the female teacher Viona, being repeated in the school, and the death of her brother, all these wounds in Sidi's heart, but who will comfort him?
In this film, there is a social background that is understated but cannot be ignored. It is not clear whether it was a war background at that time. I will make it up again later. Airplanes, radio broadcasts, naval uniforms, and the film all reveal the war or the social environment at that time. Inevitably affected people or left psychological trauma, like the plane oil spill in the school playground, causing everyone, almost burning a student, the ship's accident, the young Theo died young, and Stie lost his love. The elder brother, the parents lost their beloved son, the plane often disturbs the students' study, and so on.
I'm glad to see other things, the way boys get along in their youth, their entertainment activities and chat topics, really can't be separated from their male organs and sex, but also to see Jews being bullied, Nordic life, their clothes, And the social impact of industrial development, etc.
And the beauty of the male protagonist (written in a separate space, the appreciation of beauty is eternal)
It's a pity that the video I watched was an abridged version
Too late to add later, if any
2021-11-10 2:00
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