The rhythm is sparse, and the rise of the male protagonist and the climax are set in an hour and a half... There are also more slots. If you don't cry when your wife is dead, you will at least panic a little. After flipping through a few taxis, the male and female protagonists The hairstyle was not messy, and the driver's uncle was somehow thrown away. I don't know what role the plane flew, but the Self-Defense Forces are somehow useful, right? The scene in front of the male and female protagonists in the forest seems to have walked into the love scene. The setting of the heroine is also very interesting. She becomes half-human and half-zombie. Since you can kill a zombie in seconds, why not kill the boss of the camp with the bow? The dialogue between the two is also weird. It is just my amulet, and I don't ask about my background. Don't you sigh about the chaos in the world? Some of the foreshadowing is really not enough. For example, the relationship between the characters in the camp is about human nature. At least you should explain more about the relationship between the people in the camp, especially the special status of sesame sauce, which is different from the ordinary people who simply succumb to the boss of the camp. The actors are ok, the male lead really interprets the dead house, and this face fits too well in the comics, the female lead is also very good at distinguishing between before and after becoming a half-zombie, Ma Jiang is really acting this time Handsome, in general, I was really dragged down by the screenwriter.
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