Like other zombie films, the story is always a virus outbreak, a group of people fleeing together, and various conflicts occur in the process, losing teammates and discovering some ugliness of human nature.
Like any Japanese movie, the protagonist of the story is often very mediocre at the beginning, and so is the protagonist of this story, a manga artist who makes a fortune on the streets of Japan. In the end, he becomes a hero who protects the people around him,
but the zombies and zombie viruses in this film are very unique. Each has a self-report after being poisoned. It is like a review of a lifetime when you are conscious, and more like a narrative of certain obsessions when you are about to lose consciousness.
Until I saw the high jumping college student zombie, no matter how many times he failed, no matter how big the pit in his head, he persevered and didn't give up jumping to the place where there were living people. Until the last successful jump on the roof. The position he was born to jump into.
And the woman who went shopping frantically, eventually took her husband on this crazy zombie road.
All the zombies in this movie are using the identities of zombies to do things that they would not change "before they were alive". Be it a taxi driver or a high jumping college student. The zombie virus makes the infected people assimilate into monsters, while insisting on their own dreams and other obsessions. I am talking about dreams here because I am not sure whether the behaviors that people insist on after becoming zombies are long-term habits or dreams. But this has also become a sign that conscious people identify which zombie is their relative.
Isn't that the case in real life? Everyone is assimilated by the virus around them, such as the air, atmosphere, environment, bosses, colleagues, etc., and becomes crazy but bound. But he also kept the small world in his heart and insisted on being his own hero.
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