Vigorously portraying young people with no room for advancement and a rigid and indifferent elite, thus insinuating that the entire Japanese society is like a terminally ill walking dead.
When the depression value was pushed to the top, the stagnant social desperation was smashed with blood by the fat assistant's baseball bat.
The fat assistant shouted while smashing:
"If you don't completely destroy their heads, they won't die!"
"This is all your retribution, who made you mess with flowers?"
"You bug, if you are in the United States, one shot It will destroy you!"
Every time the stick is knocked down, it is like a complaint against the hopeless cancer cell system in the current Japanese society.
The next series of action scenes brought zombie films to a new height in terms of atmospheric expression. Nima Fakhrara's tense and eerie soundtrack is simply a stroke of genius.
The most creative is that the film has opened up a new type of zombies. The memories of all zombies are fixed on the greatest desire in their lifetime. You can see the mean people, the lost people, the proud people all turn into poor people in the end.
The zombie epidemic that covers all of Japan is more like a great revolution, unreservedly tearing down the fig leaf of Japan's hypocritical society, and all the analysis of Huang and Bai is in front of the audience.
It's a pity that after the movie adapts the comics, the most brilliant scene of the original book is lost. In the original work, the girlfriend has always supported the male protagonist's comic career, and the combination of the two also stems from mutual recognition of the cause. When his girlfriend turned into an ugly zombie, while biting the male protagonist, he also expressed his concern for the male protagonist before his death, and kept talking about cooking ramen for the male protagonist. The suicide note at home still recalls the feelings of the two. It was a very touching scene, but it was changed by the director.
And then... no then... The second half of the film is really uncomfortable.
Ten shots can explain things clearly, but the director spends 20 minutes explaining the relationship between the male and female protagonists and the characters' personalities, but in the end, there is no achievement, and the emotional and logical lines are so empty and outrageous!
The director directly used the plot of the first 92 episodes of the comic to make the movie, which was originally two single scenes. There will be division. If you just shoot a single scene from the first 27 episodes, the whole movie will be much more complete.
From the moment the two entered the outlet, the film entered the sequel phase of the first hour.
Sato Shinsuke self-destructed the Great Wall and abruptly split a complete film into two parts. The audience's emotions are brewed from scratch, and the grievances and grievances between the protagonist and the new characters are explained from scratch.
The artificial plot in the second half perfectly destroys the high B-level meaning presented in the first half. It feels like a director has changed. Yumura Kasun slept the whole time, which made people wonder if she offended the director in the second half of the movie and starred with zero pay. Fortunately, there is Nagasawa Yami flying to fill the position to support the audience (Yami-san with an axe does have characteristics).
The final climax action scene, special effects and blood plasma. Far-fetched emotional attachments are boring. Who cares about those stumps and broken arms? What the audience wants is the character relationships and feelings shown when the stump is cut off (many people say that this film beats Train to Busan, that should refer to the action scenes. But in literary dramas, the expression of the character's emotions is a water-milling effort, Sato said. Shinsuke is indeed not as strong as Yan Shanghao).
The strength of this film proves that going to a remote outlet to try your luck will also be slaughtered.
Objectively speaking, adapting a long Japanese manga is inherently a difficult technical task. If the director did not have the research spirit and boldness of the diehard fans, it would be difficult to hand over a perfect answer sheet within 120 minutes.
However, it is commendable that the art of this film restores the spirit of the original comics.
The following is an example image:
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