However, this work, which is convergent in form and heavier than the previous one, seems to be unexpectedly cold in the "major awards". The reputation of [Crash] brought a chance for the Golden Lion to compete. (But Tommy Lee Jones, isn't his performance as good as a sharpshooter?) Therefore, Uncle Jones, who has always supported his eyebrows and always melancholy, was awarded the Oscar winner, which makes me somewhat incomprehensible as the only nomination from the local area.
The ending I prefer to see is that Mike took the picture, and the phrase "Dad, you gotta get me out of here." sounded outside the screen after the black screen. At one time I thought that the six-minute ending would be a burden. However, the final picture is obviously for the Americans to see. As for whether there is any anti-war itch, I am not qualified to say more.
There is no longer the reconciliation and compromise like in [Crash], an aging figure bears everything alone.
I once created multiple characters in two hours, but each is not thin. This time, Tommy Lee Jones needn't say any more. Charlize Theron is just a red face and willing to be a green leaf. Faced with the cynicism from his male colleague, he stood up and confronted. Also in awe. Watching is always engrossed. It lies in all the resistance faced before the answer to the mystery, and lies in the plot trend of the continuous fall. As a result, Susan Sarandon was already in tears when he recognized the corpse.
The Valley of Elah, as the title, can be said to be a metaphor? Twice the questions were a bit blunt. The valley of Elah, the valley of the decisive battle between brave children and the devil in mythology. Under the old man’s narrative, it was difficult to get from the bottom to the bottom in order to find out the truth. Faced with the subject, contacted policewoman Emily and finally said, "He would have been really scared." The fear in my heart is no match for the devouring of humanity by war? I seem to suffer from a set of questions here.
Extending beyond the basic plot, Emily's scenes with her son at home, as well as some situations in her dialogue with her boss (this boss turned out to be Josh Brolin, who appeared repeatedly in several important American films in 2007). The character's situation provided a foundation and also contributed to the deepening of his image. The death of the woman who reported the dog to the dog was obviously also to portray the heart of the policewoman, and it seemed unnecessary. (Post-note: there was a negligence in watching the film here, which resulted in a misunderstanding) However, the lens used here is extraordinarily smooth in the dark, and the whole movie is trapped in this calm and gripping atmosphere.
Attached is a film review that I think makes sense. http://msn.mtime.com/my/hongxiutianfan/blog/599760/#Comments
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