This Korean box office champion is more like the flashback version of the first film, which focuses on the concept of "father"; but this one is obviously more complex and mature, and the multi-linear narrative gives people the feeling that the mystery is about to be revealed here. Immediately switch to another line, rhythm The control makes people not tired of watching it. Unfortunately, when I explain the philosophy of confession in the Nirvana Sutra later, it is a bit messy, um~ After all, this time is a thousand-year-old confession; overall, there is still a good sense of delicacy in the depiction of Korean-style characters. Zuo does not play the warm card like the first one, but still inspires people to do things in the world: there are no bad people in the world, only bad situations! A momentary wrong move may become a burden to bear in a lifetime
ps, Ma Dongxi's role as a god of creation is short-lived but beautiful, I like this fat man;
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