The protagonists of the second part of "Walking with the Gods" have truly become the messengers of the underworld.
There seem to be a lot of Korean TV dramas about the messenger of the underworld, such as the popular "Ghost" and the recent variety show "New Journey to the West 5". The messenger of the underworld seems to be an important figure in the Korean ghosts and gods, probably equivalent to the black and white impermanence of China? It can also be seen that there are similarities between East Asian cultures.
The story of the three underworld messengers is only fully unfolded in this part, and it is probably the best footnote of the subtitle-cause and fate. The reversal and reversal before the truth is revealed and the unfolding of the final finale are much more suspenseful and exciting than the straightforward narrative of the previous one. Brothers compete for father's love, and it is also a contest between different races (calling Jurchen a barbarian and the expression "barbarians control barbarians" is really uncomfortable), the father's suppression of the eldest son caused the brothers to break up the wall at the same time. It is also very deep to let oneself die. There are only a few female ambassadors who set their young age so people can't help but think that the culture of love for young people is really ingrained! (Although it may also be that older women will make female audiences disgusted, after all, Ha Zhengyu and the others are so handsome. Or it may be that Jin Xiangqi’s acting skills are too good to be replaced. Or it’s that the comics are too lazy to change)
I thought that there were fewer basic love scenes in this one, but it turned out to be enough. The plot of Yuan Dongxun and Jin Xiu Hongbing's brother really hit the spot (the Easter egg at the end even caused associations, but the three The other villain of the group is also very pompous. Although the character is too vicious, the combination of the final reflection and Jiang Lin (played by Ha Zhengyu) to his father's repentance is not so ooc. Jiang Lin may have discovered the king long ago. What's wrong? So let him participate in the trial, the scene in the movie really made people suspicious and began to doubt the identity of the king. But in the end, the face change is really a bit insulting to the audience... But on the other hand It's a pretty big egg.
The city owner is really a big joker. In addition to sensationalism in a play, there must be a little bit of a joker. The fight between the city owner and the demolition team is really funny. On the other hand, it plays the role of linking up the memories of the past lives of the three underworld messengers. The Korean change of the little boy really gives people goosebumps (밀언 turns to be 강림), so the three people are actually very important clue characters while playing a sensational role, and the appearance of the old grandfather from the first film also makes people feel I feel that the script is really detailed.
In terms of the setting of the level, there are some parts that are repeated with the first part, but there is a new idea in calling the living people down to judge. The ghost Jin Xiuhong attracts all kinds of new and powerful monsters is also a point that can renovate the level, the Tyrannosaurus or something suddenly makes this movie funny, swallowing it in the stomach and drawing circles to protect you is really not affected by "Journey to the West" "Remember" influence? And why is the faceless bodyguard following the King of Hell inexplicably reminiscent of Dementors?
Generally speaking, it is a very successful commercial film, with warmth, friendship, friendship, colleagues (mistakes), and gratitude to the Chinese stock market...
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