human nature

Rickey 2022-03-15 09:01:10

Weeping like a tearful person, because there are some bloody bridges in the middle, but those tear-jerking "sensationalism" eventually become some kind of "revelation". The four stories match each other. The aphrodisiac redemption in the snow and the moving tenderness in the present world are romantic and beautiful. The color tones of the photography are also white and warm; the unbearable past of the sinner and the heart-wrenching pain of the dead complement each other, black and white. "My crime is your sore spot." I watched this movie in the morning in Seoul. I was fortunate enough to take the "earliest train" of the movie, and left a "bottle" of tears. As for whether this movie is intended to earn the audience's tears, I have no way of judging it. I don't know what kind of state it is to be sensational. I have no way to judge whether the narration of the four stories is not procrastinated, I only know that I have watched 2D, and now I have booked 4DX a few hours later, not running 4DX, but running this movie, by the way. Under 4DX. After watching the second part, I plan to go home to watch the first part. I mean to re-watch the first part that has been played back N times, so as to reinterpret the first part based on the second part.

Hillard 2022-03-16 09:01:08

Compared with the first film that tried to create a "perfect good person" and hollowed out your heart to make you cry, this one has a lot of restraint, and the story is obviously stronger, especially the fate of the reincarnation of the gods. But it still can't hold the chess game too big, the story is inevitably lengthy, and every character is scary. Does the ending mean to repeat the mistakes of the first one again, and spend the time in the next one to create another "perfect good person"? I beg the director not!