I have read both of Walk with God and tell me how you feel.
The first movie viewing experience was relatively good. After carefully arranging the logic, I felt that the narrative method was more exciting than the well-written story itself. The first is actually a nesting doll-style narrative structure, divided into three layers:
1. Hades
2. brother's life
3. brother's murder
The highlight of the underworld trial is the visual effects. Although the special effects are not as good as Hollywood, the big scenes one after another should be quite cool to watch in the cinema.
If my brother's life is shown in normal word order, it would be very boring. Even if it is the word order in the movie, in the first and second hell, I think this is just a character in the composition of a primary school student's "good people and good deeds". .
The murder of my younger brother is a relatively common crime story, but because the death method is really tragic, the impact is still very strong. He also pokes the military, the permanent G-spot of the Koreans, and presumably the response to the Koreans will be stronger.
The whole movie takes the story of the underworld trial with gorgeous visual effects as the lead, and shows the ordinary tragic life story of the elder brother in batches in a disorderly manner without losing the highlights of human nature. It is also interspersed with the murder case of the younger brother with strong impact, and the climax is dizzying. All the lines are gathered together, and they are forcibly sensationalized, and the emotions have been mobilized. After watching it, I took a long sigh of relief and couldn't help but admire a cool film!
Came to the second part with anticipation.
The second part is also a nesting doll structure, but this time, the three members of the underworld messengers act in two ways, so the two groups are actually two parallel narratives. There is a baby in each of the two paragraphs.
Hades group:
1. Brother's murder
2. Jianglin's past
Sunroom:
1. Demolition of grandparents and grandchildren to help the poor
2. Resolve the grievances of Li Dechun's past
It can be seen that in the first movie, 3 stories have evolved into 4 stories, and they are also divided into two parallel lines without interfering with each other. First of all, there is a problem that the plot is scattered and the movie-watching emotions cannot be continued. I don't know what to do if I made a movie into a TV show.
The most important thing is that people with discerning eyes will know at a glance that the focus is on the past story of the messenger of the underworld 2, and story 1 are all tool people, tool people. But after all, it is a movie that gathers big stars and is the first well-received movie. Even the story of the tool man is made up like a bit. There is a lot to talk about about the story of my brother's murder. Everyone can tell that he was killed. Jiang Lin is still hiding it. I thought Yuan Yibing's gun was manipulated. If a little thing is repeated a hundred times, the old problem of Korean dramas has been committed again.
The story of the demolition of grandparents is so boring, I don't understand how they helped, the children's welfare home will not be able to go (Actually, I don't believe that if the grandfather is gone and the child's father disappears again, such a child will end up on the streets ), overseas adoption is not possible, the house will be demolished after all the demolition funds are taken, and the demolition funds will not come back (thanks to China for the stock price increase), how about grandpa accompanying the child to graduation from primary school? Middle school students still need guardians. At most it was a subsidy. Moreover, the messenger from the underworld is so random when he transforms into a human figure to do good deeds, doesn't he mean that he can't change the affairs of the underworld, and he doesn't talk about the basic law.
Forcibly bundled two boring tool man stories, just to prevent everyone from linking Jiang Lin's past to reconcile grievances. The intent is obvious, but it can be done wisely, and my expectations for my walk with God go beyond that. The effect now presented is that the narrative is too bloated. There are not as many special effects scenes as the first one, and many places are distracted.
In the story of the trio in the underworld, I think the part of Li Dechun's grievances is more attractive. Maybe Korean film and television are better at describing various emotions, and the family relationship in the first movie is very touching. In the second part, the grievances and the sense of CP of Li Dechun rushed out of the realm of yin and yang.
The first one I thought was cute. The elements of high CP sense that I have summed up: height difference, frequent skinship, both of which are available. Although Li Dechun looked like he was only 14 or 5 years old when he was a messenger of the underworld, he was also a little bit funny when he solved his grievances. Even if his age and height difference were the same, he was still a little brother and sister (uncle and nephew) orthopedics (no, this is crime!). And Li Dechun, who was a thousand years ago, looked a little older, and he was described as solemn, bitter, and deep hatred to resolve his grievances. , the most important thing is two places, one is Li Dechun's second encounter with grievances because of the children's illness. When the two of them were talking outside the house, they resolved their grievances and asked her if she was better. Mai said I was asking if you were feeling better (oh my girly heart), and another place was to teach her to shoot arrows by hand. Don't mention social distancing in this posture, just hugged her directly. The theory of skinship enhancing CP sense is once again obtained Verified. So it's not that I'm perverted, I think the movie is indeed taking this direction. Of course, I can only express my admiration by rewatching the famous tearjerking scene with the white scarf at the end 100 times.
Seeing that there is an analysis of the relationship between the two people, it is actually very easy to understand on the side of resolving grievances. He himself is a war orphan, and seeing a group of war orphans like Li Dechun must be moved. Later, because he knew that Li Dechun's parents killed himself, he must be more devoted to these children under the guilt. At first, Li Dechun didn't know that Jiehuimai was the white wolf who killed his parents. He must have been grateful to the benefactor. After seeing the white scarf and knowing the truth, he cried and hugged Jiehuimai. He must have forgiven him. The performance in this section is too wonderful. When I saw the white scarf, I was predicting what Li Dechun would say and do, whether he would beat him, run by himself, or say something emotionally. I didn’t expect that there would be no extra language and Action, Li Dechun's eyes went from shock to sadness and finally hugged and understood with tears, alas, this acting is really good, both of them can.
Because I like Joo Ji Hoon, I'm definitely paying more attention to this couple in the movie. But in some places, I couldn't help but complain. I don't know if it was because of the translation or what. I always felt that the men who solved the grievances died and the military rations were not enough because they were taking care of the children. It's so big, and raising a few more children is not enough? What is this fight to pretend to be a family wine? There is also the final solution to the grievances to inform the children to escape, showing incomparably tenacious vitality, didn't we agree that we used our last strength to run 20 miles to come here? Why did he look like he was about to die in front of him? After seeing the children, his face was full of blood and he couldn't wipe it off. How could he feel like he was resurrected with blood. And the Guards were running too slowly. They fought with the wolves all night, dragged their corpses for 20 miles, and the Guards didn't even arrive on horses?
Regarding Jiang Lin's guilt, I don't think it's wrong for him to save his father unless he sees death, so he shouldn't feel so guilty. Although it was true that he killed Jieqimai out of jealousy, it was true that Jieqimai helped the enemy's children in private violated the military order, and he was not wronged by being sentenced to death. Li Decun killed him, and he killed Li Dechun, in fact, it was a cleanup. I don't think it's a big punishment to make him a messenger of the underworld. The only thing that can torture his heart is his father. I suspect that for a thousand years, he watched the grievances that lost the memory of his past life turn into a funny comparison of middle school two, and the scene of family fun with Li Dechun all day long, all the wounds in his heart will be healed. Li Dechun is also pitiful. He didn't do anything bad, so why did he have to accompany the two brothers for a thousand years and not be reincarnated. Although watching the movie felt that being a messenger from the underworld was much more fun than being a human being, they still wanted to be reincarnated themselves.
In fact, the two films are very similar to the composition of primary school students, because each must point out the central idea at the end. It’s okay not to mention it, we are adults and we don’t need to go home and write the afterthought (although we are writing it now). In the second part, I found out that the King of Hell was Jiang Lin's father. I even wanted to go back to the first part. But as the short comment Gao Zan said, the matter of working on the underworld for a long time has become their family business, and the situation has suddenly become smaller. I don't know there is no third part, I hope the third part is more interesting.
The series of movies is afraid of the main actor's accident. Unfortunately, this movie also happened. I still hope that there will be a third part. We must keep Zhu Zhixun.
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