Movies at the End of the Year (Part 3) / My Good Man of the Three Gorges has been
watched several times. He said that Yaomei's part was good, but I didn't think it at the time. When I saw him talking, in retrospect, Yaomei looked at the two men through the small window and talked about her belonging. There was indeed a kind of calming power.
Yaomei and Sanming were eating candy in an abandoned house. From the huge hole, the tallest building collapsed suddenly. In the local news, it was "successful explosion within * seconds", which is often seen in the local news in Shanghai . This building is as fragile as the city and human life. Sanming is supporting Yaomei's shoulders, looking at it together, it is like the feelings of the ancients.
Looking back, there is a scene where Zhao Tao's Shen Hong crossed the river to find her husband. On the way, she met a girl Chunyu and asked her if she wanted a babysitter. This episode was a no-brainer. I thought this girl would probably marry her. Sanming about his daughter? Later, Yaomei showed him the photo, and I looked at it very hard, but it didn't seem to be the case. The girl was very sweet, wearing gray work clothes, and she looked promising. It would seem silly to arrange it this way. However, the Hemingway-like idea is always inseparable, a gun appears, and it has to be fired once.
A city is slowly falling, and Sanming is considered an accomplice, but he is in tune with the locals. Drifting to this river and lake, he met some friends and found a wife, but he had to leave after all. This city may bring him not bad memories, but it is still outside.
He lived in a small inn, one block two, and went to watch the performance of the bald-headed grass stage crew. He squeezed in front of him and grinned. It was bald and white, with a naked upper body, wearing red patent leather trousers, behind which was a blue calico apron dancing wildly. When I first saw this bald head, I thought he was born like a wyman!
Shen Hong's husband Guo Bin was also a foreigner, but he became prosperous and hooked up with a woman further south, which made him perfect. Of course, his development depends on destroying the city.
Why do some people say that Zhao Tao's story has nothing to do with Sanming's story? Brother Fengjie is the subordinate of "Brother Bin", and it happened when he helped him with errands. What about the other lads we went with? Run away when you see someone killed? Or also died in this rubble? unknown. Brother Ma has no name, and neither do those lads.
There is a section of dancing, I don't know who it is, maybe there is a person with a face in the place, dancing "Damp Heart" on the terrace, the fun of middle-aged people. Mr. A came over to show off the bridge he had invested in and showed it to everyone. He took the mobile phone to command and counted "one, two, three". One bridge slowly lit up, which was a very cruel modernization.
The boy who loves to sing "Rice Loves Rice" and "Two Butterflies", Jia Zhangke said that he is "like an angel", really, fresh and tenacious underlying vitality, he sat on the bow and worked hard to sing "Two Butterflies" that The shots are very moving.
Comrade Jia's miserable years led him to find the song of the times. The nostalgic sentimentality of "Alibaba" in the past completely overwhelmed the disgust and vulgarity at the time. When it comes to "Two Butterflies", because the age is too close, the educated young people can't help but feel embarrassed for the times when they see it. Then said, what a failure.
The Kuimen on the banknotes, the broadcast on the ship, the great man on the TV, and the writing in the hair style at the beginning of the film are probably all symbols. In contrast, the steerage guests chatting, smoking, reading palms, and sending text messages on the steamship at the beginning of the film, the demolition workers in a second hotel, and the green hills on both sides of the strait. It's blurry -- people who study history will see it without emotion.
Except for the angry Chinese Normal University student at the Shi Huaci Conference, he said: "The realm of the little people is very low, and there is no need for their traces in history."
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