The plot of the whole film takes place in a small studio, and the presentation of the outside world is almost completed through the TV screen in the studio. The small space and limited characters have triggered a huge dramatic tension. Wave after wave of suspense, what is the next move of the bomber? And then will the president come out and apologize? And then what is the handle of the anchor being caught in his hand? Finally, who is the bomber? As these suspense are revealed one by one, the anchor is also driven to a dead end step by step. In the end, his lover was dead, and the black cauldron was on his back. In a desperate situation, he pressed the detonator left by the bomber.
If the tension and suspense created in the small space above is still a normal level of commercial films, then the ending is too sharp, making the previous Hollywood-level complaints against the government and the media instantly become a sharp knife to the audience. I am afraid that the audience will be like me, with black eyes and hot chests. The sharp ending also sharpens these questions: is the culprit responsible for the tragedy, the bomber, or a government that is indifferent, rigid, and treats people's lives like a waste, or is it only concerned with ratings but not the facts. media? What should ordinary people who have suffered injustice do when they cannot seek justice through normal channels?
This kind of film is more realistic in China, but it is impossible to appear. As a result, in a country that cannot make such a movie, the same plot as the movie is constantly being staged.
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