I usually seldom go against the mainstream, but this movie really makes me feel ridiculous, especially seeing so many people taking the opportunity to ridicule me about what happened to the Chinese dynasty. Did the three views collapse with this movie?
Let's not talk about the flaws in the logic of the plot (why don't the teenager put a bomb in the president's ear to see if he can't come out and apologize), well, since I talk about this, I can't bear it anymore. Yes, the director wanted to make a movie about a secret room, and there was no good character in the setting. From government officials to black-hearted lard, to company employees who eat human blood and steamed buns, they will be blackened all over the place. Tsk tsk tsk, the pattern of the narrative, the manipulation of human nature, and its profound connotations, director, Gao! It's really high! Gao... shit, even if the male protagonist detonated the bomb in the end, it didn't change the fact that the movie went high and low. Instead, it was like the director was at the end of the road, and there was nothing else he could do except Ke Jin Hei. If it was a slightly positive ending, I wouldn't be so disappointed, but... (Some people say that the male protagonist finally wakes up, but I think it's very sudden, I'm afraid it's the kind of revenge that is trapped)
A movie, the black government is so black, it should express something. For example, why "The Furnace" can change the laws of South Korea, in addition to the naked evil, there is also the consistent goodness of the male protagonist, which is the belief and the expectation of the Korean people. In this movie, I only saw the director's speculation and show-off skills (the secret room category is a commercial film with small investment, no strong logical support, no matter how gorgeous it is, it is useless). Throughout the whole film, there is not a single shot that wants to express the desire for kindness and justice, the perpetrators intensify, the victims do harm to others, there is no voice from the masses, no moral and ethical struggle, only the male protagonist loses all the indulgence in the end. As if the country had really fallen to the core and was hopeless.
The director sang the mourning song of mourning for the country on his own, and there were even a group of fans shouting: scolding well, scolding is fun! ! Looking at those popular comments, I don't know what the style of painting looks like. Since you can't see the essence of commercial films clearly, and you can't explain the distorted three views throughout, and you're full of hostility in exchange, how can you be qualified to clamor for human nature and the system of your own country?
Finally, not everyone who dares to speak up and take the lead is a good student
...
View more about The Terror Live reviews
