Needless to say, Huang Zhengmin's acting skills, but the most surprising thing to me is actually Kim Soo-an's performance. The strong emotional tension is higher than Song Joong-ki's emotional touch to the audience in the whole movie, which is of course related to the role. The love line between Cui Qixing and Suozi is just right, not too complicated to affect the main line of the movie. The film is still based on Japanese foreign aggression, but it is very special. The focus and climax always appear in the conflict between the Koreans and the Koreans. It seems that the most evil forces are those "traitors", not the Japanese. We also have many movies with the same theme, but there is no similar perspective, or we are used to putting our nation in the position of a victim, focusing only on some kind of foreign evil, and consciously or unintentionally ignoring it makes us in a passive position some own reason. Another point is very poignant. The beginning and end of the movie are in black and white. The black and white hellish feeling at the beginning is very direct to the expression of the atmosphere, and when the camera shows everyone watching the explosion in Nagasaki, the orange explosion in the distance and the overall black and white The color conflict is very obvious. I think this scene has a strong national sentiment from the director.
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