At the end of World War II, Japan's defeat was already evident, and the plundering of the colonial Korean Peninsula was intensified. It was in this situation that the protagonists came to Gunkanjima.
The author has always believed that biopics are about the many events that happen to the characters, while pure incident resolution films are about the people in the process of dealing with the incident.
To identify whether the same time ends, the key is to see whether the goal is achieved. This goal must be a specific goal, a practical one, rather than a false one. For example, in "Furong Town", if Hu Yuyin wants to survive and fight those bad guys, there must be a specific event.
Let's go back to this film, the father played by Huang Zhengmin has a relatively simple motive, which is to protect his daughter. Just taken captive to the island, he did not want to escape at first, but tried to survive and take the opportunity to protect his daughter. Later, when he saw the opportunity, he began to steal keys and other operations, hoping to escape. After the hope was shattered, I saw the dark side of Teacher Yin and began to actively participate in the rescue movement from self-protection.
Other lines can be attached to this line, so I won't explain it here.
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