Record

Jesse 2022-03-19 09:01:09

FR101 à Mk2 Bibliothèque. The head of the grave jumps up, driving high and walking low, flashing the suspense at the beginning (+ breaking the fourth wall as soon as it comes up, letting the audience bring the anticipation into the story), but also laid a foreshadowing to feel that the hero may have Something different from ordinary people (about the "cadavre" + the protagonist's voice-over introduction when David appeared), it was later discovered that it was just cruel youth, and the story itself could not support the narrative structure. //Literature/realistic theme discussion is still very interesting, but it is not at the same level as "Into the Hall". The style is still very good.

Dante 2022-03-20 09:02:50

The power of Bresson breaks into the sense of hearing. Alex, who is omniscient as a role of God, can imagine and create. David is like a puppet. It is all manipulated by the perceivable emotions from Alex. Therefore, the imperfect David in the film happens to be Perfect image processing method. The effects of the sound of the two pieces of music are completely different. The first paragraph is the beginning of the fantasy world. It is Alex's writing journey out of the body and bursting out of his soul; what is the grave dance in the second paragraph? It is a wildly swaying body, a wanton pouring of emotions, and a reflection of everything that cannot be described but is particularly natural and sincere and instinctive. In addition, the film uses "death" as its context, and the fascination with death draws out the hidden patriarchal power, and then uses "going to sea" to express this desire to escape the control of power. So, what is a storm? What is a speedboat? What is a job? These symbolic things eventually lead to the fascinating source of death. So, what is a "morgue"?