At first I thought I had finally found the feeling I had when I watched Dengtang enter the room. My heart was suspended in the air and I dared not breathe. I knew David was not a good person, but I still had to follow Alexie to seize the flood of love and lust, and willingly Falling into a whirlpool (in other words, who can resist such a handsome guy). (Like in Dans la maison, Ou Rong seems to like to take the audience deep into the tiger's den, and there is also a language teacher who guides the writing to explore the elements of talent.) However, in the second half, it is entangled whether they really loved each other, and entangled before David died. What are you thinking, it's not important to worry about whether he is a scumbag or not. With only Alexie as the main character, this is a story about reconciliation with oneself, a story about escaping from one's own. There is never a clear boundary between love and hate, and it is life when they are intertwined. But for me, this sentence is really on paper, the madness and stupidity of love, those moments of loss of reason can only be understood by those who have experienced it. In general, the rhythm of this film is not well grasped, and the story is divided into sections, but the whole has a feeling of being pieced together; the male protagonist's fascination with death has not been well explored. I chose to contact David because he has an inexplicable aura of imminent death (hhh, will this be more bloody); although the blood is not without merit, at least it is a qualified drama. The two male protagonists are absolutely gorgeous.
ps. I was about to jump up when I wore headphones! Ooooooooooooooooooooo my first kiss
pps. After seeing it I finally realized who Kate looks like. It is simply a combination of Rachel Weisz and Teacher Xin.
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