He gave me my void in exchange - Camille Claude

Camille Claudette, a talented woman who is passionate about her beloved sculpture art - can get up in the middle of the night to steal soil, huddle on a bed with her beloved brother and talk about her beloved poetry collection, and feel sorry for Rodin's neglect. Anger, anxiety, and ultimately unable to escape Rodin's siege—she became his assistant, student, lover, Rodin was like a black hole, and she fell headlong into it. . . Left her family and followed him to Paris. . . The beloved Camille's father was naturally very worried, "Don't forget your surname is Claude! How long have you not had your own work?" I wonder if these questions woke Camille, until one day she found out that she was pregnant, She asked Rodin for marriage, but said nothing about her child. Of course, Rodin could not choose, so she knew that it was time to leave him. . . . . .
Camille, who got rid of Rodin, soon had her own works. Unfortunately, she might be able to get rid of Rodin's people, but she couldn't get rid of the shadow that Rodin brought her. Her works are full of unwillingness in her heart and have too strong emotional expressions. .
There is an old woman, a young girl, and a strong man in one of ms works. Rodin saw it and mistakenly thought it was an insinuation of the relationship between him, Camille and his wife, and became very angry with Camille. . . Camille knew everything in her heart, "Rodin, Rodin, I am the old woman, but not her body, and this old girl is me, and this man is me, and I give him all my rough personality, and he will My void is given to me in exchange." . .
In the end, strong feelings, hatred, swallowed Camille, and she stepped into the abyss of self-destruction. . . In the end, the younger brother, who was determined to send her to the madhouse, reluctantly said, "Her talent and talent have really brought her endless pain..."
The two most impressive scenes are as follows: Camille has a male model named Keeganti, she carved a foot and a head for him, of course, the whole body may also have been carved. After Camille followed Rodin , Keeganti suddenly disappeared, she felt a little lost, and finally, Rodin held up Keeganti's head and muttered to himself, "I know you love her, but I need her more, because what she has is exactly I lost." . . . . . . In the end, Camille, who lost everything and became crazy, pushed her works to the ground one by one. She saw Keegante's head and cried so hard that she couldn't control herself, and then, like other sculptures, was thrown to the ground. ,,,,,, tears!
Agani in the first half of the movie can be described as "beautiful". She seems to have gathered the advantages of all women: beauty, gentleness, innocence, cuteness, intelligence, and a little shyness. Gani's face always seems to have no shadows on her face, making her facial contours very soft, a kind of motherly feeling, always feel that no matter what role she plays - whether it is a slutty queen or a pure girl , a crazy young woman, there is always a kind of shyness, a kind of tenderness, there is always a kind of childishness on the face, under the eyes, between the eyelashes, there is a kind of innocence that is exclusive to her. . . !

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