The three short films all have their own characteristics, and they all tell a complete story in a short period of time. They are all cold life under the cover of lust
"balance"
Chinese literary films and literary works like to depict the bottom of society while the US likes to depict middle-class families
American gossip and black humor The American middle class is warm and open on the outside but repressed and cold on the inside. From "Six Feet Under" and "American Beauty" to the young William in "Westworld", the middle class is the largest group in their country but the most A group whose emotional needs are easily overlooked
The whole film is black and white, retro and cold, only when it is sexual fantasy, it is colorful and alive
"hand"
Explicit and restrained Wong Kar-wai wants to tell stories well. The appearance of stories reminds me of "In the Mood for Love"
"Dangerous Frontier"
One of my favorite episodes (the Chinese subtitles were gone when I watched it, and the original English subtitles were the only ones to support it)
Italian movies are forever written about wanton tones, the weather is warmer, but the core doesn't seem to be
Marriage is so sad and romantic
Maybe loneliness and freedom are the true meaning of beauty
Needless to say, it's all in the picture, probably art can only feel indescribable to me
The East's "Hand" is subtly and forbidding on the surface, but it is cold and clear, and the western "Dangerous Line" is unrestrained on the surface, but it is obscure and deep.
There is no escape from Eros in everyone's life
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