He looked at a pair of jade hands slowly reaching out to the front of his clothes, and there was a secret expectation in his heart, he thought, he must be crazy. Otherwise, why would he always remember those hands and the charming Red Kodan when he dreamed back in the middle of the night. Her hand led him into the abyss of love and desire, and from then on, he couldn't stop, and he couldn't understand love. His hands measured her body, cut Huashang, and helped her walk between men after men. Wong Kar Wai's films always make people sink in the colorful and complicated plots. His aesthetic characteristics and highly personal artistic expression, coupled with the palace-level acting skills of Gong Li and Zhang Zhen, made the ambiguous and provocative relationship between Miss Hua and Zhang vividly expressed. ... "I have nothing left, only these hands are left, will you dislike it?" When the long-suppressed love can no longer be hidden, the eyes and actions of the two in this scene are filled with a sense of anger. Sadness and despair. There are some things that I didn't want to say before, but I can't say it now. After thousands of times, there is only one sentence left - "Don't remember me anymore." ... "She is very happy and beautiful" I will never forget the last A scene of Zhang Zhen's desperate eyes. OK. I promise, I won't miss you in this life, and in the next life, I'll come to cut your clothes, okay? PS: The BGM of the last scene of the two: Peer Raben's single "Concerto Alevta" is very touching
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