It was Leningrad in the 1980s. These rock singers were living under the red flag. Their material conditions were already embarrassing, and they were bound by many rules. The audience needs to sit tight and the lyrics need to be censored by the club. Neither can discuss politics, but have a leisurely discussion of nothingness. The most emotional part of the film is that they want to pursue a place that is neither the Soviet Union nor the West. Being able to sing rock together is the closest they can get to utopia under the red flag. Several MVs have this kind of playful little resistance, which is also their highlight moment.
However, does the director feel that it is too unfree to add a narrative to a subject as high as rock? From the beginning to the end, the plot was just strung together with a never-ending extramarital affair. And this relationship seems to have no end and no end, it is far more thoughtful than the setting of several MVs.
View more about Leto reviews
