The protagonist is always like an observer who is not in the story. Everything that happens around him is sometimes related to him and sometimes irrelevant. The bystander represents staring. Like the scenery in the fog, it can also be regarded as an "epic road movie" in my classification.
Trapped in time all the time, unable to distinguish between the present and the past, it seems that he has another identity and can do anything before. The time changes suddenly, and you are caught off guard. High conviction equals total despair, and the two go hand-in-hand. God created travel first, then doubts and nostalgia, and that's how epics come about.
The Soviet Union was at least once brilliant, and it also influenced others. What about us? I lost myself and finally lost the influence of socialism, leaving the body of greed and profit. If Yipin really can't be read all at once, you need to settle, think, and start again; otherwise your mind can't keep up, and you will ignore many important things.
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